色欲檔案之應(yīng)召貨

1.1 播放:62萬 2026-04-26

從事物流業(yè)的阿Man,所賺的錢不多,他既要支付日常的開支,又要照顧失業(yè)的女友阿嬌,實在感到無法負(fù)荷. 憑著阿Man與阿嬌二人靈活的頭腦,終于讓他們創(chuàng)立一門生意: 「貨車雞」,每天,阿Man駕駛著他的貨車,在鬧市中找客人,而阿嬌也不停打電話call,一有生意,阿Man就駕駛著他的貨車,載阿嬌去開工,而他們的工作地方,就是在貨車的后座,貨車全程在街上行駛,不斷穿梭于繁忙的街道,在鬧市之中繞行.能偷得浮生半日閑...   

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好像一切都很糟糕

Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can Sevimli

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

季節(jié)已逝

馮達(dá)·埃爾伊義特,埃杰·亞薩爾,埃爾登姆·塞諾卡克

  Nimet who can not have children, is constantly under the social pressure of not being able to start a family and thus feels incomplete as a woman. Furthermore, upon learning that her beloved younger sister ?znur is fertile, she starts developing envious thoughts. “Unfruitful Times” is the story of the emotional loneliness of those who can not find courage to break the mold of the society and change their lives.

陰陽師0

山崎賢人,染谷將太,奈緒,安藤政信,村上虹郎,板垣李光人,國村隼,北村一輝,小林薰

  講述安倍晴明學(xué)生時代的故事。在陰陽寮,被譽(yù)為天才的安倍晴明與其他學(xué)生截然不同,他是個有些討人厭且對成為陰陽師毫無興趣的怪人。  有一天,晴明受到貴族源博雅的委托,解決襲擊皇族徽子女王的怪異現(xiàn)象。盡管兩人經(jīng)常發(fā)生沖突,但他們還是一起追尋真相。而一名學(xué)生的離奇死亡成為事件火索火索,引發(fā)了卷入平安京的邪惡陰謀和詛咒的動亂。

首都消失

渡瀨恒彥,名取裕子,山下真司,江角英明,大瀧秀治,石橋蓮司,石野陽子,加藤治子,岸部一德,三木紀(jì)平,夏八木勛,龍雷太,相馬剛?cè)?丹波哲郎,津村鷹志,渡邊文雄,財津一郎,海老名美どり

  這部災(zāi)難影片背景以現(xiàn)代日本為中心,主要描寫東京突然被一股莫名的濃霧所籠罩,整個都會好像一下子消失了似的,各地政府及科研人員因此極為震驚,急忙組織起來研究對策。但是人們卻無法穿越濃霧進(jìn)入東京首都圈。這場濃霧形成了一個無法穿越的電磁屏障。而圈外的科學(xué)家們則在受損嚴(yán)重的軍用偵察機(jī)上得到靈感,利用即將到來的臺風(fēng)和雷暴雨,加上人工大功率電磁干擾機(jī),終于化解了這場戲劇般的非自然危機(jī)。  這原本該是一個不錯的富有戲劇張力的構(gòu)思,但拍出來的片子卻教人不敢叫好,劇中女記者的角色刻劃不具感染力,而她和男記者之間時好時壞的關(guān)系描寫也讓人感覺莫名其妙,確是讓觀眾感覺象一場霧。

怪物2023

安藤櫻,永山瑛太,黑川想矢,柊木陽太,高畑充希,角田晃広,中村獅童,田中裕子

  平靜的湖畔小鎮(zhèn),疼愛兒子的單親媽媽早織(安藤櫻 飾)、為學(xué)生著想的爽直老師保利 (永山瑛太 飾)以及天真爛漫的孩子們本過著安穩(wěn)的生活,卻因為一次校園沖突,發(fā)酵釀成軒然大波,惹起社會與媒體的關(guān)注。當(dāng)事態(tài)越見嚴(yán)重,竟在一個暴風(fēng)雨的清晨,兩個孩子雙雙失去了蹤影……

哈留恩佩與邪惡祭司

Peter Franzén,伊麗娜·別爾克倫德,Jenni Banerjee

  在芬蘭警局供職多年的Timo,每天都周旋于形形色色的兇案罪犯之間,長年疲于工作,使得他疏于對家人的照顧。女兒在一次意外的派對中遭人強(qiáng)奸,成為他心中揮之不去的陰影。此時,一名神秘案犯走進(jìn)了他的生活,提莫如何在重重陰霾下抓出真兇……