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劇情提要
酒吧女公關(guān)NIKE,一向追求刺激經(jīng)歷,常逼男友馬交對自己性虐待,以求得到快感,但馬交為人正常,對這種游戲并不欣賞,多次規(guī)勸不果,兩人感情轉(zhuǎn)淡。另一方面心理醫(yī)生白玫瑰,每天要應(yīng)酬各種變態(tài)客人,亦感到厭倦,某日NIKE到白醫(yī)務(wù)所接受治療,一時興起兩人決定掉轉(zhuǎn)身份
暗夜精選
靈蝕
桑德拉·埃斯卡塞納,布魯納·岡薩雷斯,克勞蒂亞·普萊瑟,伊凡·查韋羅,安娜·托倫特,康斯薇洛·特魯希略,安吉拉·費比安,卡拉·坎普拉黑色鉆石
因巴爾·拉維,杰克·麥克勞克林,肖恩·西珀斯,雷·潘莎基,Michael James Bell,Kelli Jordan,伊森·瑞奇,Sara Lyons,Tristan Cunningham,Adrian Bergere,Wyatt Denny,Eric Walworth少林傳人
狄龍,爾冬升,白彪,艾飛,詹森狗心1988
葉甫根尼·耶夫斯基格涅耶夫,Vladimir Tolokonnikov,鮑里斯·普洛特尼科夫,Roman Kartsev,尼娜·魯斯拉諾娃,Evgeniy Kuznetsov,Olga Melikhova,阿列克謝·米羅諾夫,Anzhelika Nevolina,Valentina Kovel,謝爾蓋·菲利波夫,Roman Tkachuk,娜塔莉亞·拉平娜超級馬力歐銀河大電影
克里斯·帕拉特,安雅·泰勒-喬伊,查理·戴,杰克·布萊克,布麗·拉爾森,唐納德·格洛弗,本·薩弗迪,科甘-邁克爾·凱,凱文·邁克爾·理查德森,路易斯·古茲曼,伊薩·雷,格倫·鮑威爾,蘿珊娜·奧德嘉邪貓劫
Toni Hudson,Eric Larson,Alex Cord亞伯拉罕先生
Omar Sharif,伊莎貝爾·阿佳妮,伊莎貝爾·阿佳妮 Isabelle Adjani同系列推薦
明明不是我!
阿部寬點到為止
尹正,潘斌龍,黃才倫,張一鳴,梁超,魏翔,彭昱暢,王成思,宋木子,王韋程,黃允桐,王瑄,蔣詩萌,東靖川,蕭李臻瑱數(shù)碼寶貝大電影五:冒險者的戰(zhàn)斗
野澤雅子,津村真琴,多田葵,山口真弓,今井由香,折笠富美子,金田朋子,金光宣明,松谷彼哉,金子由之,永野愛,三石琴乃,小野健一,佐伯志,松尾銀三,津久井教生,坂本千夏,小杉十郎太列寧格勒牛仔征美記
馬蒂·佩龍帕,吉姆·賈木許,卡里·瓦納寧,Sakke J?rvenp??,薩卡里·庫斯曼嫩,西盧·塞佩萊,馬托·瓦爾托寧,奧利·圖奧米寧,理查德·伯斯提線木偶
李忠秀,具智成,韓素英飛砂風(fēng)中轉(zhuǎn)
鄭伊健,陳小春,方中信,余安安,葉璇,陳子聰,劉浩龍幕后花絮
外星精神病
Ryan O'Neil是一位在戰(zhàn)斗中受傷后患有PTSD的退伍軍人,他懷孕的妻子斯蒂芬妮回到家中。她的哥哥托尼是一個腐敗的警察,她的丈夫一直在為這個國家服務(wù),她一直在幫她。瑞恩和托尼從來都不喜歡對方,而托尼試圖干涉他們的婚姻,事情變得激烈起來。但是,當(dāng)瑞恩在夜晚開始在他的房子里閃現(xiàn)出殺手,外星人和其他奇怪生物的閃光和幻影時,他不確定這是真的還是只在他腦海中。斯蒂芬妮已經(jīng)和瑞恩在一起,對丈夫的行為深表擔(dān)憂。隨著歲月的流逝,瑞恩很快就會發(fā)現(xiàn)他的噩夢在他身上縈繞著什么邪惡的存在。
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster