放蕩青春

? 4.1 播放:82萬 2026-04-27

  荷比邊境村莊的仲夏,八名少男少女在各種法律漏洞間玩起大冒險(xiǎn),用性與肉體嘲弄社會的道德價(jià)值觀,用各種夸張行徑,向時(shí)代發(fā)出年輕為王的張狂挑釁。不料,其中一名少女意外死亡,好友出庭作證,他們迥異的生活背景造成一場羅生門,真相究竟終將還原,抑或是揭開失序青春的殘酷面紗?

在線觀看

? 播放 放蕩青春

劇情提要

  荷比邊境村莊的仲夏,八名少男少女在各種法律漏洞間玩起大冒險(xiǎn),用性與肉體嘲弄社會的道德價(jià)值觀,用各種夸張行徑,向時(shí)代發(fā)出年輕為王的張狂挑釁。不料,其中一名少女意外死亡,好友出庭作證,他們迥異的生活背景造成一場羅生門,真相究竟終將還原,抑或是揭開失序青春的殘酷面紗?

暗夜精選

天啟Z:完結(jié)的起點(diǎn)

何塞·馬利亞·亞茲皮克,貝塔·巴斯克斯,伊里婭·德爾·里奧,Francisco Ortiz,Jesús Lloveras,Sergio Crespo,Ali Boulabiar,Mouad Ghazouan,Elena Seijo,Marta Poveda,Ana Garcia Molero,Paloma Otero,Beka Lemonjava,Alberto Ladrón de Guevara,Yuri Mykhaylychenko,Hicham Malayo,Arántzazu Ruiz,María

風(fēng)中的洛朗

巴蒂斯特·佩魯薩,碧翠斯·黛爾,托馬斯·達(dá)洛茲,莫妮克·克雷斯潘,雷蒙·巴爾諾,蘇贊妮·德芭奎,賈尼斯·布茲亞尼,呂西爾·巴萊佐,貝努瓦·格拉爾東,馬克西姆·馬尼昂,布魯諾·萊德,喬納森·默爾,帕梅拉·勒莫尼耶·埃利亞斯,維吉妮·阿爾諾,蕾拉·埃利亞斯,朱迪思·弗拉吉,伊拉·韋爾比茨卡亞,弗朗索瓦·奎克雷,約瑟芬·穆爾拉克,路易絲·皮特爾

罪生咒

不實(shí)夢境

Aimee Auclair,Rebecca Bujko,Debra De Liso,Leigh Grace,Marek Graham,Michael Gregory,John F. Henry II,Erica Jenkins,Josh LaCount,Tim McCord,Shaun Ritter,Tom Simmons,Derek Thompson

九龍挎刀去白馬

羅立群,黃濤

象人

安東尼·霍普金斯,約翰·赫特,安妮·班克羅夫特,約翰·吉爾古德,溫蒂·希勒,弗雷迪·瓊斯,邁克爾·埃爾菲克,漢娜·高登,海倫·瑞安,約翰·斯坦丁,德克斯特·弗萊徹,萊斯莉·鄧祿普,菲比·尼克爾斯

要是晴天就好了

永野芽郁,芳根京子,萩原利久,江口德子,稻垣吾郎,倍賞美津子,吉行和子,藤間爽子,豐島花,富山繪里子,布施千賀子,高橋努,白本彩奈,宮澤美保

幕后花絮

等待方舟

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

自殺俱樂部2001

 夜色沉沉的東京新宿站,勞碌一天的人們依舊行色匆匆,仿佛從不知停歇的工蜂。然而卻有一群正處在青春期的女孩綻放著無憂無慮的笑容。她們身穿著不同款式的校服,似乎早已約好一般同時(shí)來到這里,女孩們在月臺前一字排開,手拉手齊齊跳向飛馳而來的列車。一時(shí)間血光四濺,54個(gè)鮮活的生命瞬間消失。 這一事件轟動全國,與此同時(shí)類似集體自殺的事件愈演愈烈,甚至連調(diào)查此案的警官黑田敏春(石橋凌 飾)及其家人也受到波及。黑田的搭檔涉澤健次(永瀬正敏 飾)通過不懈的調(diào)查,發(fā)現(xiàn)一連串的自殺事件都和一個(gè)名為“自殺俱樂部”的網(wǎng)站有關(guān)。事件的真相究竟如何?慘劇最終能否終止?