爸爸，我聽話了

? 6.5 播放：46萬 2026-04-23
主演：未知

鄭家寧家中企業發生巨變，父親鄭沛一蹶不振，為了保住祖宅，鄭家寧用祖傳面包車謀生，涉世未深的鄭家寧遭遇前所未有的困難，但在同伴的幫助下克服困難，在過程中，他們父子間也漸漸互相理解并釋懷。

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? 播放 爸爸，我聽話了

劇情提要

鄭家寧家中企業發生巨變，父親鄭沛一蹶不振，為了保住祖宅，鄭家寧用祖傳面包車謀生，涉世未深的鄭家寧遭遇前所未有的困難，但在同伴的幫助下克服困難，在過程中，他們父子間也漸漸互相理解并釋懷。

幕后花絮

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

不可饒恕2021

　　露絲·斯雷特（布洛克飾）因暴力犯罪被判入獄，出獄后的她重新踏入社會，但自己的過去卻不被原諒。面對來自她曾經稱之為“家”的地方的無情評判，她獲得救贖的唯一希望，就是找到當初被自己無奈丟下而疏遠了的妹妹。