為愛而殺戮
一群電影人、 導演、 編劇、 制片人、 演員和女演員一個周末相聚在遠程的家里。程序很快就開始類似的典型的恐怖片: 夫妻雙關閉,做ML,和得到或謀殺或綁架。
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杰夫·布里吉斯,辛西婭·艾莉佛,達科塔·約翰遜,喬恩·哈姆,克里斯·海姆斯沃斯,卡莉·史派妮,劉易斯·普爾曼,尼克·奧弗曼,澤維爾·多蘭,謝伊·惠格姆,馬克·奧布萊恩,查爾斯·哈爾福德,吉姆·奧希爾,瑞貝卡·圖蘭,比利·威克曼,威廉·B·戴維斯,曼尼·賈希尼托,喬納森·懷特賽爾,凱瑟琳·伊莎貝爾,薩拉·史密斯亂馬12:決戰桃源鄉!奪回新娘子!!
山口勝平,林原惠美,日高范子,高山南,井上喜久子,大林隆介,緒方賢一,鈴置洋孝,山寺宏一,鶴弘美,佐久間玲,關俊彥,永井一郎,麻生美代子,真殿光昭,中島聰彥,飛田展男,二又一成,松尾貴司,西村朋纮同類精選
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金城武,劉青云,梁家輝,古天樂,高圓圓,杜德偉,鮑起靜,林俊賢,盧冠廷,姜珮瑤,衛詩雅,甘國亮,盧海鵬,劉永,吳嘉龍,李元霸,任賢齊,夏韶聲,王德順,程東,狼森,尼克·福特導火線2025
亞倫·泰勒-約翰遜,西奧·詹姆斯,薩姆·沃辛頓,古古·姆巴塔-勞,盧克·梅伯利,豪爾赫·萊昂·馬丁內斯,莎芙蓉·霍金,奧諾·斯溫頓·伯恩,阿歷克斯·阿諾,納比勒·埃盧比,勞里·鄧肯,帕特里克·皮爾森,埃勒姆·埃哈斯,亞倫·龍,George Pavlidis,Karen Seacombe,納維德·汗,伊恩·弗萊徹,Amie Francis,阿圖爾·夏爾馬吉星拱照
周潤發,張艾嘉,鄭丹瑞,利智,黃坤玄,黃家駒,葉世榮,黃家強,黃貫中浴血黑幫:不朽傳奇
基里安·墨菲,麗貝卡·弗格森,蒂姆·羅斯,蘇菲·蘭朵,奈德·丹內利,派克·李,伊恩·佩克,杰伊·利庫戈,巴里·基奧恩,斯蒂芬·格拉漢姆,薩米·喬納斯·希尼,魯比·阿什伯恩·瑟金斯,山姆·貝克-瓊斯,卡斯珀·希爾頓-希勒,馬丁·安格鮑爾,馬克·威爾金森,托馬斯·阿諾德,安迪·M·米利根,羅利·威爾遜,馬克斯·凱文漢姆忠勇之家
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瘋狂丑小鴨2靠譜英雄
丑小鴨成功拯救鳥類王國后回到了鴨子農場,在那里他受到了英雄般的待遇,丑小鴨也開始沉迷于這種明星的光環?! ×硪贿咗B類王國中一場不知名的瘟疫蔓延開來,不少鳥兒都染病不起,天鵝議員們派人前去尋求卡爾騎士的幫助,正巧卡爾騎士意外受傷,只能讓丑小鴨去查明原因,可沒想到在看到瘟疫慘狀時,丑小鴨情緒崩潰害怕的逃走了,眾人對丑小鴨失望透頂?! √幼叩某笮▲喴蚕萑肷钌畹淖载熤校K于重新振作起來,決定和丑小八一起找出病因,卻沒想到被暗中潛伏的加瓦埋伏,奪走了他的力量,還將他困在了枯井之中,在井內,丑小鴨找到生機,見到了鳥類神秘的古代遺跡,也揭開加瓦的秘密。危機時刻,丑小鴨及時趕到激活琉璃鳥之光,再次拯救了鳥類王國。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
瑪麗和麥克斯
托妮·科萊特,菲利普·塞默·霍夫曼,巴瑞·哈姆弗萊斯,艾瑞克·巴納,貝塔尼·維特莫爾,蕾妮·蓋耶,伊恩·莫利·梅爾德倫,朱莉·福塞斯,約翰·弗勞思,克里斯托弗·馬西,卡羅琳·莎士比亞-艾倫,琳恩·史密斯,邁克爾·延納1976年,8歲的瑪麗·黛西·丁格爾(貝絲妮·惠特摩爾 Bethany Whitmore 配音)是澳大利亞墨爾本的一個小女孩,喜歡動畫片“諾布利特”、甜煉乳和巧克力?,旣惖膵寢屖莻€酒鬼,而在茶葉包裝廠工作的父親平日只喜歡制作鳥標本。孤獨的瑪麗沒有朋友,某一天心血來潮給美國紐約市的馬克思·杰瑞·霍羅威茨(菲利普·塞默·霍夫曼 Philip Seymour Hoffman 配音)寫了一封信詢問美國小孩從哪里來,并附上一根櫻桃巧克力棒。44歲的馬克思患有自閉癥及肥胖,碰巧也喜歡看“諾布利特”動畫片及吃巧克力。二人的筆友關系從1976年維持到1994年,期間各自經歷了許多人生起伏,直到成年的瑪麗(托妮·科萊特 Toni Collette 配音)終于來到紐約看望馬克思……本片獲2009年法國昂錫國際動畫影展最佳動畫長片獎,柏林國際電影節水晶熊獎及渥太華國際動畫電影節最高獎。
箱男
永瀨正敏,淺野忠信,佐藤浩市,白本彩奈,澀川清彥,中村優子,川瀨陽太這部1973年的小說由安部公房創作,講述了一位無名男子放棄自己的身份,頭頂一個大紙箱生活的故事。在東京街頭游蕩時,他遇到了各種各樣的人物。