花吻在上OVA~戀人的羈絆～

? 6.0 播放：40萬 2026-04-26
主演：杏花 澤口麻衣 

親吻那片花瓣（その花びらにくちづけを），又名花吻、花吻在上，是由同人游戲社團(tuán)河豚屋（ふぐり屋）所制作并發(fā)行的同人視覺小說游戲系列，以及同名輕小說和廣播劇。第三作《戀人的羈絆》于2010年8月改編成OVA動(dòng)畫。

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劇情提要

親吻那片花瓣（その花びらにくちづけを），又名花吻、花吻在上，是由同人游戲社團(tuán)河豚屋（ふぐり屋）所制作并發(fā)行的同人視覺小說游戲系列，以及同名輕小說和廣播劇。第三作《戀人的羈絆》于2010年8月改編成OVA動(dòng)畫。

幕后花絮

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

像這樣的夜晚

　　一位身無分文的同志演員和一位因生意失敗而陷入困境的高層人物在一個(gè)冬夜相遇，并聯(lián)手在倫敦各地尋找他們悲慘生活的意義，但當(dāng)他們看似不可能的聯(lián)系變成了更深層次的東西時(shí)，來自過去的恐懼和心魔開始危及他們的生活。