待綻薔薇

? 1.2 播放：21萬 2026-04-27

Starlet是Jane的最愛兼唯一好友，一只芝娃娃。Jane想做明星，但拍的是小電影，入不敷支，有時靠捐血賺點錢。她從二手暖壸倒出一卷卷鈔票，很想據(jù)為己有，但更想讓良心安樂：先看物主甚么來頭。她故意親近，一個臭脾氣老婦，然后兩個相隔六十年的女性，發(fā)現(xiàn)了感情。兩女主角首次登場動人演繹，其中海明威的曾孫女，更為Jane注入深度?？蓯塾周浘d綿的影像，會一把拉你進來，再挑戰(zhàn)你的成見，清新、驚喜兼具娛樂性，不啻獨立制造的獨有本事。SXSW電影節(jié)評審團特別獎。 　　

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劇情提要

Starlet是Jane的最愛兼唯一好友，一只芝娃娃。Jane想做明星，但拍的是小電影，入不敷支，有時靠捐血賺點錢。她從二手暖壸倒出一卷卷鈔票，很想據(jù)為己有，但更想讓良心安樂：先看物主甚么來頭。她故意親近，一個臭脾氣老婦，然后兩個相隔六十年的女性，發(fā)現(xiàn)了感情。兩女主角首次登場動人演繹，其中海明威的曾孫女，更為Jane注入深度?？蓯塾周浘d綿的影像，會一把拉你進來，再挑戰(zhàn)你的成見，清新、驚喜兼具娛樂性，不啻獨立制造的獨有本事。SXSW電影節(jié)評審團特別獎。 　　

幕后花絮

恐懼之靈

一名男子在郊區(qū)一間空蕩蕩的房子里醒來，沒有記憶，手臂上沾著血跡。當他瘋狂地洗掉血跡時，他發(fā)現(xiàn)那不是他的。他在房子周圍發(fā)現(xiàn)了一些便利貼，上面寫著:“不要呆在這個房間里?！薄皠e出去?！薄皠e下樓?！彼械嚼Щ螅噲D追蹤這些神秘的信息，最終發(fā)現(xiàn)了兩件事。他與母親和女兒的記憶有某種聯(lián)系，還有住在這所郊區(qū)房子里的惡魔。當他越來越接近解開他為什么在那里的謎團時，惡魔變得越來越強大，考驗著他的生存意志。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster