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暴風(fēng)雨之星
Vladimir Yemelyanov,Georgi Zhzhyonov,Gennadi VernovUpon arrival to Venus, cosmonauts find furious volcanoes and sundry prehistoric beasts in Klushantev's film, based on a novel by the Soviet sci-fi writer Aleksandr Kazantsev. Footage has been recycled in three Corman productions: Voyage to the Prehistoric Planet, Queen of Blood, and Voyage to the Planet of Prehistoric Women (the directorial debut of Peter Bogdanovich). 83min
人體亂碼
Michael Eklund,Karoline Herfurth,Tómas LemarquisDr Geoff Burton takes up a position at a new institute in wintry Dresden, Germany. His contribution to a former colleague’s important project, a human regeneration gene, has the potential to make something miraculous out of a personal tragedy that has haunted him for years. Errors of the Human Body is a psychological thriller about one man’s quest for redemption from his own disturbing past, set within the mysterious world of genetic engineering.
失真的畫
威廉·達(dá)福,斯科特·斯比德曼,彼得·斯特曼,克里·杜瓦爾,Samantha MacIvor五年前，一系列模仿名畫場(chǎng)景的連環(huán)殺人案轟動(dòng)紐約城，警探斯坦（Willem Dafoe 飾）受命調(diào)查此案，然而卻遲遲沒有進(jìn)展，令其飽受輿論壓力。斯坦以少女克莉斯特（Samantha MacIvor 飾）作誘餌吸引兇手，雖然成功擊斃嫌疑犯艾迪，卻也導(dǎo)致克莉斯特慘遭殺害。 艾迪一案使斯坦得到警署嘉獎(jiǎng)，順利升職，不過他的心中始終對(duì)遇害少女懷有愧疚，并且此案背后似乎另有隱情。心中承受巨大內(nèi)疚之情的斯坦沉溺酒精，愈加孤僻。五年后，類似案件再次出現(xiàn)，兇手似乎有意以斯坦為目標(biāo)發(fā)出赤裸裸的挑戰(zhàn)。斯坦不僅要面對(duì)這個(gè)狡猾且智商極高的對(duì)手，更要面對(duì)長(zhǎng)久以來困擾自己的心魔……
急凍奇?zhèn)b
元彪,元華,張曼玉,林聰,吳志雄,黃耀明 Anthony Wong Yiu,黎燕姍,徐錦江,元奎,王晶故事開始于明朝，鳳三（元華 飾）心腸歹毒，無惡不作，身為錦衣衛(wèi)，同時(shí)又是鳳三的師弟，方守正（元彪 飾）發(fā)誓要將鳳三繩之于法。然而，鳳三此人詭計(jì)多端，甚至想要偷取能夠扭轉(zhuǎn)時(shí)空的黑玉佛，借此逃脫法網(wǎng)，幾番爭(zhēng)斗之后，兩人雙雙跌落山崖。 時(shí)光荏苒，轉(zhuǎn)眼已是現(xiàn)代，考古隊(duì)在雪地中挖掘出了鳳三和方守正被冰封住的尸體，將兩人運(yùn)往美國(guó)研究，然而，途中一場(chǎng)意外卻令兩人死而復(fù)生。方守正于機(jī)緣巧合之下遇見了名為阿玉（張曼玉 飾）的不良少女，陰差陽錯(cuò)的成為了她的保鏢，而鳳三不改奸邪本性，加入了黑社會(huì)，繼續(xù)為非作歹。當(dāng)方守正得知鳳三依舊作惡多端后，他決定繼續(xù)自己未完成的使命。
俘虜國(guó)度
約翰·古德曼,艾什頓·桑德斯,喬納森·梅杰斯,維拉·法米加,凱文·杜恩,詹姆斯·蘭索恩,阿蘭·盧克,瑪?shù)铝铡げ剪敔?機(jī)關(guān)槍凱利,凱文·J·奧康納,本·丹尼爾斯,凱特琳·埃瓦爾德,D·B·斯威尼,瑞內(nèi)·L·莫雷諾,珊農(nóng)·克奇蘭,琪琪·萊恩,馬克·格拉佩,丹尼·高德林,簡(jiǎn)·巴克斯特·米勒,賽勒斯·亞歷山大,伊立沙·弗雷丁,莉茲·麗,巴爾巴拉·伊麗莎白·馬萊斯基,魯斯·帕薩雷拉影片講述在地球已被外星人占領(lǐng)了10年之后的芝加哥市區(qū)，一股反抗勢(shì)力異軍突起，與服從派的政府勢(shì)力產(chǎn)生了不可調(diào)和的矛盾，一場(chǎng)戰(zhàn)斗由此而生。《俘虜國(guó)度》由焦點(diǎn)影業(yè)出品，將于3月29日在北美上映。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.