莉莉安娜小姐和安妮特小姐

★ 4.6 播放：71萬 更新：2026-04-28
主演：未知

我家的莉莉婭娜小姐/我か?家のリリアナさん THE ANIMATION [中文字幕] 我們的主角Tatsuya作為電子游戲狂熱者和完全普通的人過著正常的生活。有一天，他偶然發(fā)現(xiàn)一條皮膚黝黑的美女在一條小巷里遭到狗的襲擊...一件事導致了另一件事，但由于無處可走，她最終和他住在一起.. .她一無所有，只能想辦法感謝他的好意。

在線播放

劇情簡介

我家的莉莉婭娜小姐/我か?家のリリアナさん THE ANIMATION [中文字幕] 我們的主角Tatsuya作為電子游戲狂熱者和完全普通的人過著正常的生活。有一天，他偶然發(fā)現(xiàn)一條皮膚黝黑的美女在一條小巷里遭到狗的襲擊...一件事導致了另一件事，但由于無處可走，她最終和他住在一起.. .她一無所有，只能想辦法感謝他的好意。

導演精選

恐怖列車

　　五名美國業(yè)余摔跤選手艾歷克斯（Thora Birch 飾）、托德、克萊爾、威利、謝爾頓，在教練帶領下遠赴東歐參加摔跤比賽，雖然他們輸?shù)袅吮荣悾斖砣耘d致勃勃參加了派對，以致耽誤了第二天開往敖德薩的火車，由于語言不通，他們一時買不到車票，一位說英語的金發(fā)女郎出現(xiàn)，帶領他們登上了車站內的一列紅色火車。　　甫一上車，隊員們的護照便被形容猥瑣的男乘務員收去，這列經(jīng)過改裝的列車上賭場、餐車、休息室一應俱全，隊員們很快遠離其他語言不通的乘客，躲在休息室玩起了真心話大冒險，然而在游戲進行的過程中，托德消失在列車尾部，其他隊員也一一失蹤，艾歷克斯很快發(fā)現(xiàn)，她要獨自面對車上的幾個活體器官摘除者……

懸案密碼2：野雞殺手

　　幾十年前，一對年幼的兄妹在自家的小屋里慘遭殺害，唯一可能犯案的，是當時在那里度假的寄宿學生，然而，因為證據(jù)不足，最終這群學生們未能被定罪，小屋案成為了未破的懸案，而當年負責此案件的警探卡爾（尼古拉·雷·卡斯 Nikolaj Lie Kaas 飾）也因此一蹶不振，這宗疑點重重的案件成為了他的一塊心病。　　一晃眼幾十年過去，當年的寄宿學生們已經(jīng)長大成人，活躍在上流社會之中，雖然他們衣冠楚楚風度翩翩，但實際上，他們扭曲的心靈早就令這些人成為了野獸，唯有在殺戮中才能獲得快感。當卡爾重拾曾經(jīng)的懸案之時，危險也在一步一步的接近著他和他的家人們。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.