夫妻斗爭

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

　　一位邪惡的馬戲團老板在幾位高中生的小鎮上演“鬼屋”，他們必須抗拒他的魔咒。

【內容由AI生成】畫手林默在AI霸權時代陷入創作焦慮 。西游世界中，真大圣憑借金箍裂痕覺醒 ，單槍匹馬擊碎黑六耳幻化的巨型機械妖猴 。隨著妖猴崩解，被囚禁的數據化作千萬個神采各異的大圣眾生相。現實中，林默拒絕AI優化并關上電腦，回歸初心。他在爺爺墓前及街頭孩童揮舞廉價金箍棒的歡笑中領悟到，AI雖能模擬形態，卻無法替代人在不完美中堅守本心的“選擇”。

　　不敢相信！浪蕩不羈的瓦雷斯終于要結婚了，但是在婚禮上，瓦雷斯突然接到伴郎「解毒劑」的緊急來電，對方被幫派份子嚴刑拷打，需要他的救援。當他深入毒窟營救老友的同時，他新婚妻子的女兒被綁架了。瓦雷斯第一天當爸爸，就出大事了，為了營救繼女，瓦雷斯被迫參與一場神秘詭譎的性愛邪教聚會，他分秒必爭，必須搶在犯罪集團之前，拯救他所愛的人保護他的新家人。