干柴烈火

評分:5.1 播放:84萬 更新:2026-04-28

[法國]干柴烈火,Gouttes d"eau sur pierres brulantes,20世紀70年代,德國。房屋待shou的富商里歐帕(Bernard Giraudeau 飾)結實了四處尋尋住房的19歲俊美青年弗蘭茲(Malik Zidi 飾),身為同xing戀的祂為眼前這個青年所吸引,于是有意識地勾起了弗蘭茲的同xing戀欲望。弗蘭茲落入情場高手的陷阱,從此成為里歐帕的情欲努力。年齡和身份的懸殊讓祂們之間矛盾不斷,分分合合。在這一過程鈡,弗蘭茲深深噯上了這位不該噯上的情人。不久,事態變得愈加復雜起來。弗蘭茲的釹友安娜(Ludivine Sagnier 飾)尋上門來,她本希望帶走侽友,卻在一瞬間被里歐帕迷住。而里歐帕的前侽友變xing人維拉(Anna Levine 飾)也介入其鈡。四角關系錯綜復雜,畢竟該如何收場  本片榮獲2000年柏林國際電影節最佳影片獎、2000年紐約同xing戀電影節最佳影片獎。   

影片推薦

殺戮游戲

皮爾森·福德,喬·阿德勒,勞拉·阿什利·塞繆斯,邁克爾·加蘭特,Mouzam Makkar,Sari Sanchez,Tommy Beardmore,Ryan Carr,Patricia Urbonas Clark,Brian Christensen,Jay Disney,Alicia Hilton,Justin Nesbitt,Debbi Burns,希拉里·安德森

古劍奇譚之琴心劍魄

白澍,梁婧嫻,姜震昊,黃羿,王景灝

奇跡男孩

雅各布·特倫布萊,朱莉婭·羅伯茨,伊扎貝拉·維多維奇,歐文·威爾遜,諾亞·尤佩,丹妮爾·羅絲·拉塞爾,納吉·杰特,戴維德·迪格斯,曼迪·帕廷金,布萊斯·吉扎爾,艾爾·麥金農,泰·孔西利奧,詹姆斯·休斯,凱爾·布瑞特科夫,米莉·戴維斯,莉婭·朱厄特,凱琳·布瑞特科夫,利亞姆·迪金森,艾瑪·特倫布萊,馬克·多茲勞,魯奇婭·伯納德,J·道格拉斯·斯圖瓦特,阿里·利伯特,埃麗卡·麥基特里克,本·伊曼紐爾,杰森·麥金農,索尼婭·布拉加,吉潔特

迷妄國度4

Trupti Agarwal,Gaurav Arora,Ashwath Bhatt

阿里

安德拉尼克·馬奈,帕斯卡爾·雷內里克,Théo Delezenne,Ryad Ferrad,伊娃·拉利耶,Lomane de Dietrich,Mikael Don Giancarli,克萊芒絲·庫隆,Fabio Caron,Audrey Bonnet,克萊爾·博德森,蘇菲?卡達尼,Alphonso Scavo,Immanuelle Shékina,Isaure Bony Agoua,Melvil de Waegenaire,Tom Menanteau,Alexandre Auvergne,Serena

動物僵尸

Ione Butler,安德魯·阿斯珀,La La Nestor,Kim Nielsen,Marcus Anderson,Brianna Joy Chomer,Ivan Djurovic,亞倫·格羅本,Kaiwi Lyman,William McMichael,Reuben Uy,Isaac Anderson,Tammy Klein,Cedric Jonathan,Joe Conti

同類精選

影視排行

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

康普茶

Zoe Agapinan,Charin Alvarez,Rachel Benson,Zachary Bernat,Paige Bourne

  這是一種名叫康普茶的飲料,它可以改變人的思維,使員工工作到死。

搖滾萬萬歲

羅伯·萊納,邁克爾·麥基恩,克里斯托弗·格斯特,哈里·謝爾,布魯諾·柯比,小艾德·博格里,比利·克里斯托,安杰麗卡·休斯頓,佛萊德·威拉特

  1982年,英國傳奇重金屬樂隊Spinal Tap搖滾樂團紅極一時。電影導演馬蒂(羅伯·萊納 Rob Reiner 飾)是Spinal Tap樂團的一位忠實粉絲。Spinal Tap樂團要來美國舉行一次復出巡演,馬蒂則為Spinal Tap樂團拍攝隨行紀錄片。本部仿紀錄片刻意杜撰出一個英國搖滾樂團Spinal Tap,活靈活現的刻畫出了搖滾樂團臺上臺下表里不一的嘴臉,對當代搖滾樂做出了尖銳的諷刺和嘲諷。  本片由羅伯·萊納自編自導自演之作。影片中的電影音樂均由演員們親自演奏創作而成。

協議

貝倫·魯埃達,米蕾婭·奧利奧,達里奧·格蘭迪內蒂,安東尼奧·杜蘭·莫里斯,喬斯因·本格特伊,卡魯斯·法布雷加,瓦內薩·布查卡,塞巴斯蒂安·蒙特奇諾

  莫妮卡有個正值青春期的女兒卡拉,但一天早上卡拉卻因一場奇怪的事件而失蹤,幾個小時後被人發現時已意識不清,醫生更宣告她剩下的時間不多。莫妮卡無法接受自己的女兒已無藥可救,在極度絕望之下,參與了一場暗黑儀式,並跟一名神秘的男人訂下契約,以挽救卡拉的性命。隔天卡拉突然恢復活力,連醫生也無法解釋原因,但莫妮卡的夢魘才正要開始。