極樂死亡

? 5.1 播放：45萬 2026-04-24
主演：Fran& amp #231 ois Delaive 

別名：弗朗索瓦歐容短片集之極樂死亡 渺小的死亡 父親因?yàn)楹⒆映錾臅r(shí)候長(zhǎng)得丑，就不要他了，以至于孩子長(zhǎng)大后沒有受到良好的管教。男孩子和一個(gè)同性戀住在一起，癡迷于人體的L體寫真，有的照片y-穢不堪。父親生病命不久矣，姐姐讓他去看一眼，他總是難釋心中芥蒂，他甚至跑到病房里拍攝父親的L體照。值得一天父親去世，男孩才感到真正的失落，愿意和姐姐靜心交談，后來才知道父親一直珍藏著著和他小時(shí)候共享天倫之樂的照片。可見人與人的理解是多么困難，連至親之間也是那樣。

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劇情提要

別名：弗朗索瓦歐容短片集之極樂死亡 渺小的死亡 父親因?yàn)楹⒆映錾臅r(shí)候長(zhǎng)得丑，就不要他了，以至于孩子長(zhǎng)大后沒有受到良好的管教。男孩子和一個(gè)同性戀住在一起，癡迷于人體的L體寫真，有的照片y-穢不堪。父親生病命不久矣，姐姐讓他去看一眼，他總是難釋心中芥蒂，他甚至跑到病房里拍攝父親的L體照。值得一天父親去世，男孩才感到真正的失落，愿意和姐姐靜心交談，后來才知道父親一直珍藏著著和他小時(shí)候共享天倫之樂的照片。可見人與人的理解是多么困難，連至親之間也是那樣。

幕后花絮

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

超暴力機(jī)斗

　　主要講述了未來世界人與機(jī)械武器之間的愛恨情仇。