十五天就玩完

★ 2.2 播放：69萬 更新：2026-04-25

40 多歲的康拉多是一家地產公司老板的老板。他和公司里的一名女員工有染，他妻子還蒙在鼓里。康拉多的女兒梅爾的好朋友貝絲，一次見面之后也開始和他曖昧。康拉多開始迷戀上貝絲的身體……

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劇情簡介

40 多歲的康拉多是一家地產公司老板的老板。他和公司里的一名女員工有染，他妻子還蒙在鼓里。康拉多的女兒梅爾的好朋友貝絲，一次見面之后也開始和他曖昧。康拉多開始迷戀上貝絲的身體……

導演精選

逃離奪命島

　　After a mysterious accident at a research camp on the Isle of Gran Manan, a CEO hires a team of blue-collar mercenaries to extract his daughter, a scientist working at the camp. Upon arrival, the team soon learns that not only is the island surrounded by a wormhole that causes time to reset every three days, but it's also crawling with hideous monsters. As they learn more about the nature of time, space, and the creatures on the island, they quickly realize that death may be the easiest way to escape the island.

諜殺風暴

四名前西班牙特工在全球不同地點同時遇刺。西班牙國家情報中心發現，數十年前他們都在哥倫比亞參與了秘密的謝納加行動。西班牙國家情報中心最出色的特工澤塔必須追查并保護唯一的幸存者，這將是他迄今為止最危險的全球任務。哥倫比亞頂級特工阿爾法將與澤塔并肩行動，而她似乎比他更了解謝納加行動背后的秘密。

公寓2024

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.