在線看
同款熱播
7天之前
往日的承諾如今被當(dāng)作債務(wù)來(lái)索要，塔里和卡達(dá)爾必須揭開(kāi)母親安貢的秘密在七天結(jié)束前拯救自己的性命。
他人即地獄(日影)
八村倫太郎,柳俊太郎,岡田結(jié)實(shí),三浦健人,青木さやか,大倉(cāng)空人,萩原圣人,鈴木武,星耕介,濱津隆之,日比美思,松角洋平,大野泰廣「他人は地獄だ」は、地方から上京してきたユウが、不気味な入居者が暮らすシェアハウス「方舟」への入居をきっかけに、不可解な出來(lái)事が発生するサスペンスホラーだ。ヨンキ氏が描いたスリラー漫畫(huà)の舞臺(tái)を日本に置き換え、八村はユウ、柳は「方舟」のリーダー的存在のキリシマ、そしてユウの戀人?メグミを?qū)铯荬袱搿?/p>
奔跑的犀牛
張釗,張揚(yáng),劉哲生活如同一只橫沖直撞的犀牛，它打破你所有的計(jì)劃，破滅你所有美好的希望，一步步的把你頂入絕境。 你是坐以待斃還是奮起反擊？ 快遞員英雄在城市里拼搏多年，只為買(mǎi)房和女友結(jié)婚。不料，他的錢(qián)卻被壞人所騙。 英雄一路追擊尋錢(qián)，卻無(wú)意中卷入了三伙壞人的交易之中，女友小美也被綁架，命懸一線，他的生活徹底陷入絕境。英雄選擇了絕地反擊，運(yùn)用勇敢和智慧，在壞人間展開(kāi)了一場(chǎng)斗智斗勇的大戰(zhàn)。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
大話修仙
孫槐志一天欣欣來(lái)到一家古董店，連呼數(shù)聲有人么，不見(jiàn)有人回應(yīng)，偌大的古董店空無(wú)一人。由于好奇心的驅(qū)使欣欣不管三七二十一自?shī)市蕾p起來(lái)，不斷的被眼前的物品所震懾所陶醉，就在此時(shí)突然有一人出現(xiàn)，嚇了欣欣一跳。此人行徑古里古怪，不過(guò)欣欣也沒(méi)有放在心上，欣欣與其交談數(shù)據(jù)之后又繼續(xù)欣賞起古董來(lái)，然而奇怪的事情就在此時(shí)悄然發(fā)生了……
寬恕我們
莉莉·沙利文,卡蘭·馬爾韋,理查德·勞斯伯格A story of redemption in a world gone dark.