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利刃之刀鋒戰(zhàn)士
魏小歡,張博楠,馬暢,劉冰講述的是程崗所在的特警隊在局長陳海安的運籌帷幄下，與黃贊為首的走私犯罪集團(tuán)斗智斗勇，最后將犯罪分子一網(wǎng)打盡的故事。展現(xiàn)了以程崗、沈欣為代表的特警，為破獲文物案和圍剿犯罪分子所作出的犧牲和奉獻(xiàn)。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
全境災(zāi)變
伊芙·詹姆斯 Eve James,坎農(nóng)·史密斯 Kannon Smith,萊琳·麥克 Lelyn Mac在一場死亡率不是1%，而是98%左右的疫情之后，艾莉離開了她的街區(qū)，到了一個新的城市，在那里她遇到了奎恩，一個對新世界有獨特生存之道的人。
暗黑子午線
比利·斯洛特,戴夫·戴維斯,詹姆斯·摩西·布萊克一名腐敗的新奧爾良偵探在放風(fēng)時陷入兩個犯罪團(tuán)伙之間的戰(zhàn)斗中。為了在夜晚生存下來，他必須找到一名殺手，并在兇手到達(dá)其他目標(biāo)之前將他帶走
猩瘋血雨
約翰尼·斯奎婭,特洛伊·科特蘇爾,杰西卡·亞歷山大,維多利亞·懷恩特,凱文·麥克納利,加繪·亞歷山大,吉婭·亨特,查爾斯·曼恩,蒂安·西蒙,本杰明·程,斯圖爾特·惠蘭,阿爾伯特·馬加希,米格爾·托雷斯·翁巴,基蘭·迪恩,阿米娜·阿卜迪暑期返回夏威夷的露西（約翰尼·斯奎婭飾）與父親亞當(dāng)（特洛伊·科特蘇爾 飾）、妹妹艾琳及寵物黑猩猩本團(tuán)聚。趁父親因工作離家，露西與好友凱特（Kate）、漢娜（杰西卡·亞歷山大 飾）及凱特的哥哥尼克策劃了一場泳池派對。派對期間，本被一只患有狂犬病的動物咬傷，溫順的黑猩猩逐漸變得兇殘。眾人被迫困在泳池內(nèi)，且在無法求援的絕境中，必須協(xié)作智斗發(fā)狂的本以保全性命。
慳錢家族
楊千嬅,陳奕迅,鄭裕玲,曾志偉,黎耀祥,何超儀典型都市女性Diana（鄭裕玲 飾）有著驕人的事業(yè)成績，也積極經(jīng)營著自己的愛情?？墒窍愀劢?jīng)濟(jì)不景氣，她與同公司的小職員韋大漢（曾志偉 飾）都在了裁員的名單上。韋大漢早年妻子因為好賭離家出走，丟下了女兒千華（楊千嬅 飾）及小兒子萬華需要供養(yǎng)。他向兒女隱瞞自己已經(jīng)被解雇的事實，可是Diana的出現(xiàn)讓千華及弟弟都知道了爸爸的真實情況。原來Diana的出現(xiàn)是想跟他們參加一個家庭制的游戲，只有勝出游戲，電視臺便會原價收購他們的負(fù)資產(chǎn)業(yè)。Diana是一個自私冷酷的人，在游戲的過程中，被大漢付出在兒女身上的感情而改變了她。千華也在游戲中與導(dǎo)演（陳奕迅 飾）產(chǎn)生了感情。游戲最終由他們勝出，可是千華親生母親的出現(xiàn)使局面徹底改變了……