哭泣的牛

? 6.3 播放：79萬 2026-04-28

《哭泣的奶牛》《欲牛》《黎明哭泣的牛》，老農民岡宮的獨子伊藤，一年前死于意外事故。老岡宮深受打擊，導致精神出現問題，喪夫的兒媳婦法子對老岡宮不離不棄，一直在家照顧著老人。由于同居一屋，長期的相處，兩人之間產生了微妙的感情。老岡宮最深愛的母牛;花子一年前和伊藤一起遇難，法子為免老岡宮脆弱的神經再受打擊，于是每天黎明時分，都會去牛棚扮作;花子，藉以慰藉老岡宮。但是，隨著老岡宮多年未歸的女兒光子突然出現，還有一直對老岡宮的土地虎視眈眈的地產商步步緊逼，老岡宮和兒媳婦法子，平靜的生活也將被打破... 　　

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劇情提要

《哭泣的奶牛》《欲牛》《黎明哭泣的牛》，老農民岡宮的獨子伊藤，一年前死于意外事故。老岡宮深受打擊，導致精神出現問題，喪夫的兒媳婦法子對老岡宮不離不棄，一直在家照顧著老人。由于同居一屋，長期的相處，兩人之間產生了微妙的感情。老岡宮最深愛的母牛;花子一年前和伊藤一起遇難，法子為免老岡宮脆弱的神經再受打擊，于是每天黎明時分，都會去牛棚扮作;花子，藉以慰藉老岡宮。但是，隨著老岡宮多年未歸的女兒光子突然出現，還有一直對老岡宮的土地虎視眈眈的地產商步步緊逼，老岡宮和兒媳婦法子，平靜的生活也將被打破... 　　

幕后花絮

恐怖回音

　　安娜·帕克（凱特·法蘭奇 Kate French 飾）是一個美麗的女作家，當下她正為新書做最后的沖刺，可是擔任出版編輯的男友保羅·瓦格納（史蒂文·布蘭德 Steve Brand 飾）卻提出了較為尖刻的修改意見。心情頗有些低落的安娜找不到靈感，創作陷入僵局。為了幫她完成工作，保羅將安娜帶到一處位于沙漠中央的別墅進行創作，不過他突然有事離開，只留下安娜和一條狗。到了夜晚，安娜驚訝地發現有一個恐怖的人逡巡在別墅附近。她嘗試著向保羅求助，然而無法得到有效回應。　　2012-3-2，一組奇怪的數字，讓安娜陷入前所未有的恐懼之中。而在無盡的恐慌中，她終于發現了可怕的秘密……

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.