劇情簡(jiǎn)介
武周時(shí)期，御史中丞胡顯德一家被殺，武則天命狄仁杰前往調(diào)查。狄仁杰調(diào)查發(fā)現(xiàn)，原本老實(shí)本分的胡顯德離奇般參與了一場(chǎng)大案，狄仁杰不禁生疑，察覺(jué)此案可能是一個(gè)案中案。狄仁杰查案過(guò)程中，不斷遇見(jiàn)各種詭異事件，案件相關(guān)人員也接連離奇死亡。伴隨著陰兵索命，案件一籌莫展，狄仁杰被巨大的陰謀籠罩……
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格吉（殺人鬼）
卡文·英瑪諾泰,Supawadee Kitisopakul,??????? ????????????
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
十月建造的房屋2
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抱得美人歸
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大地1937
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血統(tǒng)殺人魔
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替補(bǔ)悍警
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