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忍者刺客49
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白濱亞嵐,片寄涼太,小森隼,佐野玲於,關口Mandy,中務裕太,數原龍友,早見明里,槙田雄司,穂紫朋子,天野花奈,山川真里果寬恕我們
莉莉·沙利文,卡蘭·馬爾韋,理查德·勞斯伯格婚姻積分戰
Luisana Lopilato,Cristina Casta?o,Juan Minujín草莓月亮
當真亞美,齋藤潤,杉野遙亮,中條彩未,中山裕介,田中麗奈,池端杏慈,黑崎煌代,吉澤要人,伊藤健太郎,泉澤祐希,池津祥子,橋本潤,黑島結菜銀河護衛隊:圣誕特別篇
克里斯·帕拉特,龐·克萊門捷夫,戴夫·巴蒂斯塔,凱文·貝肯,邁克爾·魯克,布萊德利·庫珀,范·迪塞爾,凱倫·吉蘭,肖恩·古恩,瑪麗亞·巴卡洛娃,Old 97's,盧克·克萊因,凱拉·塞吉維克,大衛·莫斯科維茨,史蒂芬·布萊克哈特影視排行
毒蜂
富大龍,許亞軍,高梓淇,侯勇,呂良偉,王斑,鄭曉寧,張苡寧,張靜靜,白慶琳,方姝晴,袁帥新型毒品“蜜蜂”在江州毒品市場肆虐,隨著研制者“毒蜂”被緝拿歸案,其配方也面臨消失,毒界變得風聲鶴唳。主人公段成(富大龍 飾)在一次押送途中越獄,并對外宣稱自己是“唯一知道蜜蜂配方”的人,面臨配方重出江湖的巨大誘惑,多方勢力開始對段成展開威逼利誘。經歷追殺、強行被注入毒品等非人折磨后,段成滲入毒巢,以“誘餌”身份一步步接近大毒梟“蜂王”……另一方面,江州警方的“捕蜂人行動”也正式啟動,一場正與邪、善與惡的黑白對決一觸即發……
陷入麻煩的女孩
Columbus Short,Wilmer Valderrama,Alicja BachledaA Lower East Side bartender becomes entangled in a murder mystery involving a desperate woman, a missing drug dealer and the scion of a powerful investment firm.
尸骨袋1
皮爾斯·布魯斯南,梅利莎·喬治,安娜貝絲·吉什,阿尼卡·諾尼·羅斯,馬特·弗里沃,杰森·普雷斯利,凱特琳·卡邁克爾,彼得·麥克內爾,威廉·沙勒特,黛博拉·艾倫,Gary Levert,Joel Freckelton,喬迪·布朗《尸骨袋》改編自斯蒂芬·金(Stephen King)的同名恐怖小說?! 充N小說作家Mike Noonan(皮爾斯·布魯斯南 Pierce Brosnan 飾),在妻子Jo(安娜貝絲·吉什 Annabeth Gish 飾)死后,無法走出悲痛的深淵。他不斷地夢到和Jo一 起購買的緬因州湖畔別墅,夢到裝在袋子里的腐爛尸骨,夢見Jo也從裹尸袋中奔跑而出。終于他在Jo的召喚下回到了那棟詭異的別墅。在那里,他卷入了一樁年輕美貌寡婦與家財萬貫的祖父對小女孩的撫養權爭奪戰,并不時遭遇神秘鬼魂的騷擾。那些不斷升級的噩夢,還有神秘鬼魂的騷擾,都讓他意識到,這個小鎮隱藏著一些秘密,而死去的Jo也有事情想要告訴他……
公寓2024
斯文·索奇塔,細田善彥,Rous Mony,Touch Narady,ManikaFollowing her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.