不道德的禮物
羅雪兒（邱淑貞暫無(wú)內(nèi)容飾）為人中規(guī)中矩，幫助父親經(jīng)營(yíng)公司，和男友的關(guān)系也是不冷不熱，最終被拋棄。暫無(wú)內(nèi)容父親公司出現(xiàn)危機(jī)，苦思良策的雪兒與好友Sorry（李蕙敏暫無(wú)內(nèi)容飾）到碼頭散心，巧遇癱瘓的富豪林樂(lè)山（江華暫無(wú)內(nèi)容飾）。林樂(lè)山被雪兒吸引，長(zhǎng)年所患的性無(wú)能也似乎有了好轉(zhuǎn)。暫無(wú)內(nèi)容林樂(lè)山之弟林樂(lè)水（鄭伊健暫無(wú)內(nèi)容飾）決定利用這個(gè)機(jī)會(huì)幫助兄長(zhǎng)，于是找到雪兒與其簽下合同，答應(yīng)替其父還債。但前提是雪兒要做其兄一晚的情人。暫無(wú)內(nèi)容雪兒在金錢的吸引下答應(yīng)，于是樂(lè)水找來(lái)帥Gay佬Honey（王敏德暫無(wú)內(nèi)容飾）開始對(duì)雪兒進(jìn)行勾引男人的訓(xùn)練……
劇情簡(jiǎn)介
羅雪兒（邱淑貞暫無(wú)內(nèi)容飾）為人中規(guī)中矩，幫助父親經(jīng)營(yíng)公司，和男友的關(guān)系也是不冷不熱，最終被拋棄。暫無(wú)內(nèi)容父親公司出現(xiàn)危機(jī)，苦思良策的雪兒與好友Sorry（李蕙敏暫無(wú)內(nèi)容飾）到碼頭散心，巧遇癱瘓的富豪林樂(lè)山（江華暫無(wú)內(nèi)容飾）。林樂(lè)山被雪兒吸引，長(zhǎng)年所患的性無(wú)能也似乎有了好轉(zhuǎn)。暫無(wú)內(nèi)容林樂(lè)山之弟林樂(lè)水（鄭伊健暫無(wú)內(nèi)容飾）決定利用這個(gè)機(jī)會(huì)幫助兄長(zhǎng)，于是找到雪兒與其簽下合同，答應(yīng)替其父還債。但前提是雪兒要做其兄一晚的情人。暫無(wú)內(nèi)容雪兒在金錢的吸引下答應(yīng)，于是樂(lè)水找來(lái)帥Gay佬Honey（王敏德暫無(wú)內(nèi)容飾）開始對(duì)雪兒進(jìn)行勾引男人的訓(xùn)練……
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亂馬12：中國(guó)昆侖大決戰(zhàn)！破壞計(jì)劃之激斗篇！！
山口勝平,林原惠美,日高范子,鹽澤兼人,玉川紗己子,大林隆介,緒方賢一,高山南,井上喜久子,鈴置洋孝,井上和彥,鶴弘美,山田榮子,松井菜櫻子,山寺宏一,佐久間玲,關(guān)俊彥,島津冴子,吉村傭,子安武人,真殿光昭,石田彰,永井一郎,麻生美代子又是一個(gè)平靜的日子，內(nèi)褲愛好者八寶齋（永井一郎 飾）四面出擊，惹得亂馬（山口勝平 飾）、小茜、良牙（山寺宏一 飾）、珊璞（佐久間レイ 飾）等人紛紛加入進(jìn)來(lái)，在鎮(zhèn)上惹出巨大的騷動(dòng)。正當(dāng)眾人鬧得不可開交之時(shí)，一頭裹挾著黑色殺氣的大象突然襲來(lái)。它和美麗的主人向八寶齋發(fā)起攻擊。與此同時(shí)，天空陰云密布，一艘巨船出現(xiàn)在空中。他們是來(lái)自中國(guó)內(nèi)地寢昆侖的七福道神，這群神秘之人不僅搶走騎象少女帶來(lái)的奧義經(jīng)卷，還虜走了小茜。亂馬一眾不堪就范，決定啟程前往中國(guó)……本片根據(jù)高橋留美子的漫畫《亂馬1/2》改編，系該動(dòng)畫的劇場(chǎng)版第一部。
另一個(gè)時(shí)間
賈斯汀·哈特雷,阿莉爾·凱貝爾,詹姆斯·凱森·李,阿蘭·皮特魯塞澤維斯基,馬克·瓦雷,杰克·麥克勞克林,塔克·斯莫爾伍德,艾登·洛夫坎普,克里斯?fàn)枴に顾菟?Ethan Cohn,卡爾·T·懷特,Julia Parker,托馬斯·亨尼賽當(dāng)一個(gè)男人愛上一個(gè)訂婚的女人時(shí)，他決定設(shè)計(jì)一個(gè)計(jì)劃－回到過(guò)去在她遇見她未來(lái)丈夫之前追到她，透過(guò)他的才智與金錢，配合科學(xué)家教授多年來(lái)的研究，他將回到過(guò)去搶得先機(jī)，一旦回到過(guò)去，他會(huì)發(fā)現(xiàn)愛總是在他意想不到的地方…
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
正義聯(lián)盟：無(wú)限地球危機(jī)(上)
馬特·波莫,詹森·阿克斯,達(dá)倫·克里斯,梅格·唐納利,斯坦娜·卡蒂克,吉米·辛普森,扎克瑞·昆圖,喬納森·亞當(dāng)斯,艾克·阿瑪?shù)?吉奧弗瑞·阿倫德,扎克·卡利森,亞歷山德拉·達(dá)達(dá)里奧,阿拉斯泰爾·鄧肯,艾托·艾桑多,Cynthia Hamidi,阿爾迪斯·霍吉,石井恵梨香,大衛(wèi)·卡耶,阿什莉·拉特羅普,馬特·蘭特爾The Anti-Monitor (the Monitor's evil counterpart) is released in the DC Multiverse and begins to destroy the different Earths huo87.com that compose it. The Monitor attempts to recruit heroes from across the Multiverse, but is murdered.
沖動(dòng)
芭兒·帕麗,亞歷克西斯·克納普,皮爾斯·布魯斯南,阿什麗·格林尼,賈斯汀·查特文,丹尼·馬斯特森,艾莉森·洛曼,克里斯·吉爾,詹姆斯·德貝羅,尼克·圖恩,歐嘉·梅雷迪斯該片講述四位朋友共同前往一座島嶼度假，期間他們接觸一種名為“Urge”的藥物，而當(dāng)四人吸食之后，他們將逐漸走向欲望的深淵。
愉快動(dòng)物餅干電影版
松田元太,水上恒司,高石明里,藤森慎吾,蒼井翔太,小澤亞李,水瀨祈,東山奈央,立木文彥,間宮胡桃本片以1978年開始發(fā)售就一直受到喜愛的點(diǎn)心“愉快動(dòng)物餅干”為基礎(chǔ)制作，講述了以獅子為首，大象、河馬、猴子、小兔、小貓、長(zhǎng)頸鹿、鱷魚、小雞，以及新角色天馬行空又哭又笑的故事，描寫了只有“可愛”這一優(yōu)點(diǎn)的他們，為了拯救世界滅亡的危機(jī)而奮斗的模樣。