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1.7 播放：36萬 更新：2026-04-25

Little暫無內(nèi)容Birds暫無內(nèi)容takes暫無內(nèi)容place暫無內(nèi)容during暫無內(nèi)容one暫無內(nèi)容bright暫無內(nèi)容summer暫無內(nèi)容night暫無內(nèi)容and暫無內(nèi)容follows暫無內(nèi)容a暫無內(nèi)容group暫無內(nèi)容of暫無內(nèi)容young暫無內(nèi)容teenagers暫無內(nèi)容on暫無內(nèi)容a暫無內(nèi)容journey暫無內(nèi)容from暫無內(nèi)容innocence暫無內(nèi)容to暫無內(nèi)容adulthood.暫無內(nèi)容The暫無內(nèi)容main暫無內(nèi)容character暫無內(nèi)容is暫無內(nèi)容a暫無內(nèi)容timid暫無內(nèi)容boy暫無內(nèi)容who暫無內(nèi)容has暫無內(nèi)容a暫無內(nèi)容typical暫無內(nèi)容schoolboy-crush暫無內(nèi)容on暫無內(nèi)容a暫無內(nèi)容girl暫無內(nèi)容his暫無內(nèi)容age,暫無內(nèi)容who暫無內(nèi)容happens暫無內(nèi)容to暫無內(nèi)容be暫無內(nèi)容a暫無內(nèi)容friend暫無內(nèi)容of暫無內(nèi)容his暫無內(nèi)容mate.

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Little暫無內(nèi)容Birds暫無內(nèi)容takes暫無內(nèi)容place暫無內(nèi)容during暫無內(nèi)容one暫無內(nèi)容bright暫無內(nèi)容summer暫無內(nèi)容night暫無內(nèi)容and暫無內(nèi)容follows暫無內(nèi)容a暫無內(nèi)容group暫無內(nèi)容of暫無內(nèi)容young暫無內(nèi)容teenagers暫無內(nèi)容on暫無內(nèi)容a暫無內(nèi)容journey暫無內(nèi)容from暫無內(nèi)容innocence暫無內(nèi)容to暫無內(nèi)容adulthood.暫無內(nèi)容The暫無內(nèi)容main暫無內(nèi)容character暫無內(nèi)容is暫無內(nèi)容a暫無內(nèi)容timid暫無內(nèi)容boy暫無內(nèi)容who暫無內(nèi)容has暫無內(nèi)容a暫無內(nèi)容typical暫無內(nèi)容schoolboy-crush暫無內(nèi)容on暫無內(nèi)容a暫無內(nèi)容girl暫無內(nèi)容his暫無內(nèi)容age,暫無內(nèi)容who暫無內(nèi)容happens暫無內(nèi)容to暫無內(nèi)容be暫無內(nèi)容a暫無內(nèi)容friend暫無內(nèi)容of暫無內(nèi)容his暫無內(nèi)容mate.

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耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

惡戰(zhàn)2025

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