生孩子妊活部
須藤青是一名公認(rèn)的御宅族,他渴望讓一個(gè)對(duì)御宅族冷漠的女孩懷孕。他每天都和同學(xué)們討論御宅話題,所以他從未有過女朋友也就不足為奇了。或許是因?yàn)榭吹搅诉@樣的他,同學(xué)遠(yuǎn)野海不叫他的名字,而是叫他“宅男君”,對(duì)他很冷淡。但他也有一個(gè)夢(mèng)想。找到一個(gè)好的伴侶并組建一個(gè)家庭。學(xué)校還有一個(gè)幫助實(shí)現(xiàn)夢(mèng)想的俱樂部:生育俱樂部。生育俱樂部是一個(gè)全國(guó)公認(rèn)的俱樂部活動(dòng),旨在鼓勵(lì)學(xué)生懷孕并參與生育治療。經(jīng)過選拔,Ao 得以加入該俱樂部。據(jù)顧問說,有一位女孩想成為 Ao 的伴侶。青不敢相信自己的眼睛,因?yàn)檫M(jìn)入社團(tuán)教室的女孩正是遠(yuǎn)野海未,而她對(duì)青很冷淡。
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須藤青是一名公認(rèn)的御宅族,他渴望讓一個(gè)對(duì)御宅族冷漠的女孩懷孕。他每天都和同學(xué)們討論御宅話題,所以他從未有過女朋友也就不足為奇了。或許是因?yàn)榭吹搅诉@樣的他,同學(xué)遠(yuǎn)野海不叫他的名字,而是叫他“宅男君”,對(duì)他很冷淡。但他也有一個(gè)夢(mèng)想。找到一個(gè)好的伴侶并組建一個(gè)家庭。學(xué)校還有一個(gè)幫助實(shí)現(xiàn)夢(mèng)想的俱樂部:生育俱樂部。生育俱樂部是一個(gè)全國(guó)公認(rèn)的俱樂部活動(dòng),旨在鼓勵(lì)學(xué)生懷孕并參與生育治療。經(jīng)過選拔,Ao 得以加入該俱樂部。據(jù)顧問說,有一位女孩想成為 Ao 的伴侶。青不敢相信自己的眼睛,因?yàn)檫M(jìn)入社團(tuán)教室的女孩正是遠(yuǎn)野海未,而她對(duì)青很冷淡。
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郊區(qū)男孩 3
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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
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