白日夢(mèng)
某日，英俊帥氣的青年倉(cāng)橋順吉（勝然武美 飾）和身穿和服、恬靜賢淑的葉室千枝子（愛(ài)染恭子 飾）在牙科醫(yī)院邂逅。順吉為對(duì)方的氣質(zhì)所吸引，久久注視，幾近忘我。少頃，兩人先后走進(jìn)診室，經(jīng)過(guò)麻醉后，他們的意識(shí)漸漸模糊，繼而仿佛進(jìn)入一個(gè)光怪陸離、充滿肉欲的奇幻世界。順吉夢(mèng)到自己來(lái)到 一間舞廳，而千枝子是正在臺(tái)上翩翩起舞的舞女。衣冠楚楚的牙科醫(yī)生（佐藤慶 飾）此時(shí)化身邪惡、變態(tài)的老板，對(duì)千枝子進(jìn)行肆意虐待與凌辱。順吉想盡辦法，希望帶千枝子離開(kāi)這里。然而眼前的一切亦真亦幻，真?zhèn)坞y辨，仿佛一場(chǎng)痛入骨髓的惡夢(mèng)一般…… 根據(jù)日本官能作家谷崎潤(rùn)一郎的同名小說(shuō)改編，本片系導(dǎo)演武智鐵二第二次將該小說(shuō)搬上銀幕，據(jù)上一部間隔17年之久。
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劇情提要
某日，英俊帥氣的青年倉(cāng)橋順吉（勝然武美 飾）和身穿和服、恬靜賢淑的葉室千枝子（愛(ài)染恭子 飾）在牙科醫(yī)院邂逅。順吉為對(duì)方的氣質(zhì)所吸引，久久注視，幾近忘我。少頃，兩人先后走進(jìn)診室，經(jīng)過(guò)麻醉后，他們的意識(shí)漸漸模糊，繼而仿佛進(jìn)入一個(gè)光怪陸離、充滿肉欲的奇幻世界。順吉夢(mèng)到自己來(lái)到 一間舞廳，而千枝子是正在臺(tái)上翩翩起舞的舞女。衣冠楚楚的牙科醫(yī)生（佐藤慶 飾）此時(shí)化身邪惡、變態(tài)的老板，對(duì)千枝子進(jìn)行肆意虐待與凌辱。順吉想盡辦法，希望帶千枝子離開(kāi)這里。然而眼前的一切亦真亦幻，真?zhèn)坞y辨，仿佛一場(chǎng)痛入骨髓的惡夢(mèng)一般…… 根據(jù)日本官能作家谷崎潤(rùn)一郎的同名小說(shuō)改編，本片系導(dǎo)演武智鐵二第二次將該小說(shuō)搬上銀幕，據(jù)上一部間隔17年之久。
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Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.
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