定理

4.1 播放:70萬 更新:2026-04-22

一位訪客(特倫斯斯坦普 Terence Stamp 飾)的到來徹底改變了一個家庭的生活,雖然這個訪客沒有身份,沒有歷史,甚至連名字都沒有,但家庭中的每一個人都被他誘惑為他癲狂。妻子(肖瓦娜 ;曼加諾 Silvana Mangano 飾),丈夫(馬西莫 t;吉洛提 Massimo Girotti 飾),女兒(安妮 ;維亞澤姆斯基 Anne Wiazemsky 飾),兒子(Andr eacute;s Jos eacute; Cruz Soublette 飾),女傭(勞拉貝蒂 Laura Betti 飾),每一個人都臣服于訪客所帶來的靈魂與欲望的糾葛之中。 訪客離開后,丈夫放棄了經(jīng)營多年的工廠,妻子開始于工人們尋歡作樂,女兒陷入了內(nèi)心的頑疾之中,兒子開始探索藝術(shù)帶來的奇跡與喜悅,女仆的身上則顯露了神跡。一切都陷入了混亂,可是依舊沒有人知道,這位神秘的訪客到底是何方神圣  

即刻觀影

劇情賞析

一位訪客(特倫斯斯坦普 Terence Stamp 飾)的到來徹底改變了一個家庭的生活,雖然這個訪客沒有身份,沒有歷史,甚至連名字都沒有,但家庭中的每一個人都被他誘惑為他癲狂。妻子(肖瓦娜 ;曼加諾 Silvana Mangano 飾),丈夫(馬西莫 t;吉洛提 Massimo Girotti 飾),女兒(安妮 ;維亞澤姆斯基 Anne Wiazemsky 飾),兒子(Andr eacute;s Jos eacute; Cruz Soublette 飾),女傭(勞拉貝蒂 Laura Betti 飾),每一個人都臣服于訪客所帶來的靈魂與欲望的糾葛之中。 訪客離開后,丈夫放棄了經(jīng)營多年的工廠,妻子開始于工人們尋歡作樂,女兒陷入了內(nèi)心的頑疾之中,兒子開始探索藝術(shù)帶來的奇跡與喜悅,女仆的身上則顯露了神跡。一切都陷入了混亂,可是依舊沒有人知道,這位神秘的訪客到底是何方神圣  

編輯推薦

地窖2024

斯科特·斯比德曼,喬丹娜·布魯斯特,勞倫斯·菲什伯恩,克里斯·康納,Katie O'Grady,珍妮·林·田,Randy Sean Schulman,杰薩爾·蘭達(dá)瓦索,Naiya Amilcar,凱爾·斯托爾茨,Zach Feiner,Kiah Butts

一對夫婦在流產(chǎn)后想要重新開始,他們發(fā)現(xiàn)自己得到了夢寐以求的房子,但有一個條件--他們永遠(yuǎn)不能打開地窖的門。他們能否在不知情的情況下生活下去,這引發(fā)了令人震驚的后果。

索命舞娘

麥迪·齊格勒,拉娜·康多,艾瑞絲·阿帕托,阿凡提卡·萬達(dá)納普,米利森特·西蒙茲,烏瑪·瑟曼,莉迪亞·倫納德,邁克爾·卡爾金,Kate Freund,克里斯蒂安·恰克瓦里,加博爾·納吉帕爾,Julian Krenn,沙哈布·魯巴達(dá),鮑拉日·邁杰里,貝拉·奧爾薩尼,弗朗西斯·麥克伯尼,亞當(dāng)·邦奇,Miklós Béres,Klára Spilák,Gary Cothenet

五個芭蕾舞者去參加比賽,卻遭遇公車墜毀,被困在一家偏遠(yuǎn)旅館中,遭遇殺身之禍,必須用自己的舞技逃脫危機(jī)。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

牛排

埃里克·朱多爾,朗齊·貝迪亞,喬納森·朗貝爾,Vincent Belorgey,Sebastian Akchoté,Laurent Nicolas,Sébastien Tellier,Alain Gendreau,Mark Latrémouille,Marie-Claude Michaud,雨果林·什維特·蘭黛斯科,Caroline Bernard,Steve Barry

  George is the scapegoat of his classmates. One day he cracks and shoots them. His best and only friend Blaise is accused in his place and sentenced to 7 years in a psychiatric hospital. At the day of his release, Blaise realizes he only has one family: his best friend George. But he does not want to hear about his childhood friend, as he tries to integrate with the "Chivers" a gang whose members wear red jackets and boots, drink milk, drive sport trucks and play an incomprehensible and violent game that mixes cricket and mental arithmetic.

媽媽:來自Neraka的祝福

漢娜·阿爾·拉希德,卡莉斯塔·阿魯姆,Nova Eliza

 普特里一直只知道她的母親薩里是一位才華橫溢的塔羅牌占卜師,深受眾多高官顯貴和商界名流的信賴。她對薩里幾乎沒有任何私人記憶,直到薩里在一場事故中喪生。有一天,普特里收到了一條手機(jī)短信——來自她已故母親的號碼。起初,她以為這只是個惡作劇。但漸漸地,這些短信開始指引她未來的命運——而這些命運真的發(fā)生了。普特里慢慢意識到,這些短信確實是她母親發(fā)來的。

我是臥底2026

鄒兆龍,于榮光,李彥奎,王韜,文東俊,張沙沙,王鉑清

影片講述了反扒民警霍濤接受組織任務(wù),經(jīng)過嚴(yán)格訓(xùn)練和對犯罪集團(tuán)深入的背景調(diào)查后,偽裝混跡扒手群中,建立可信身份后成為打入扒手集團(tuán)內(nèi)部,與貝爺斗智斗勇,與貝爺偽裝的小飛互相試探,最終在和局長司徒強(qiáng)的緊密配合下,幾經(jīng)波折,逐步瓦解盜竊團(tuán)伙,道盡各色警匪人物的故事。