三分之一情人

　　故事發(fā)生在某個毗鄰原始森林的小鎮(zhèn)，一家伐木公司正在林中作業(yè)，這時白雪飄然落下，作業(yè)暫時停止，然而隨即便發(fā)生了殘酷血腥的事件。與此同時，警長保羅·希爾德（凱文·杜蘭德 Kevin Durand 飾）和新來的搭檔唐尼剛剛敷衍完幾個報警事件，隨后驅(qū)車來到前妻蘇珊（Bianca Kajlich 飾）的家中，接走兒子亞當(dāng)（Ethan Khusidman 飾）回自家居住。一夜無事，次日一早，保羅在門口發(fā)現(xiàn)碩大的腳印，而且腳印遍布小鎮(zhèn)主干道，一直延伸到森林深處。巨大的腳印在小鎮(zhèn)鬧得人心惶惶，保羅起初絕不相信妖精怪物一類的傳說，但是恐怖血腥的事件接二連三發(fā)生，讓小鎮(zhèn)陷入前所未有的恐慌之中?！　∥C漸次逼近……

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

 1976年，8歲的瑪麗·黛西·丁格爾（貝絲妮·惠特摩爾 Bethany Whitmore 配音）是澳大利亞墨爾本的一個小女孩，喜歡動畫片“諾布利特”、甜煉乳和巧克力?，旣惖膵寢屖莻€酒鬼，而在茶葉包裝廠工作的父親平日只喜歡制作鳥標(biāo)本。孤獨的瑪麗沒有朋友，某一天心血來潮給美國紐約市的馬克思·杰瑞·霍羅威茨（菲利普·塞默·霍夫曼 Philip Seymour Hoffman 配音）寫了一封信詢問美國小孩從哪里來，并附上一根櫻桃巧克力棒。44歲的馬克思患有自閉癥及肥胖，碰巧也喜歡看“諾布利特”動畫片及吃巧克力。二人的筆友關(guān)系從1976年維持到1994年，期間各自經(jīng)歷了許多人生起伏，直到成年的瑪麗（托妮·科萊特 Toni Collette 配音）終于來到紐約看望馬克思……本片獲2009年法國昂錫國際動畫影展最佳動畫長片獎，柏林國際電影節(jié)水晶熊獎及渥太華國際動畫電影節(jié)最高獎。

當(dāng)兼顧工作和撫養(yǎng)孩子的單身母親成熙（尹世雅飾）為她年幼的女兒在整個房子里安裝家庭攝像頭時，奇怪的事情開始了。