魔鬼戰士堡

? 4.7 播放：72萬 2026-04-25

故事發生在1943年，德軍統治下的羅馬尼亞，德軍伍爾曼上校（尤爾根 ;普洛斯諾 J uuml;rgen Prochnow 飾）帶領一隊士兵到達羅馬尼亞的某個小村莊，駐軍在一個古老的碉堡中，不久后，這些士兵卻一個一個離奇死亡，兇手還在尸體旁邊刻下了神秘的古老文字，于是德軍將一個猶太籍的中古歷史學家庫拉博士（伊安 麥克萊恩 Ian McKellen 飾）從集中營放出來，協助伍爾曼上校調查此事。庫拉博士發現兇手是困在碉堡中的一個遠古邪靈，他吸取人類的生命力，以維持自己的力量，于是庫拉與邪靈達成協議，只要邪靈能摧毀希特勒的軍隊，那么他就將邪靈從碉堡中放出。此時，一個希臘人葛萊肯（斯科特 ;格林 Scott Glenn 飾）特地來到了小村落，他決定不惜任何代價阻止庫拉博士將邪靈釋放，因為一旦邪靈恢復自由，他的詛咒將會危害全人類 

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? 播放 魔鬼戰士堡

劇情提要

故事發生在1943年，德軍統治下的羅馬尼亞，德軍伍爾曼上校（尤爾根 ;普洛斯諾 J uuml;rgen Prochnow 飾）帶領一隊士兵到達羅馬尼亞的某個小村莊，駐軍在一個古老的碉堡中，不久后，這些士兵卻一個一個離奇死亡，兇手還在尸體旁邊刻下了神秘的古老文字，于是德軍將一個猶太籍的中古歷史學家庫拉博士（伊安 麥克萊恩 Ian McKellen 飾）從集中營放出來，協助伍爾曼上校調查此事。庫拉博士發現兇手是困在碉堡中的一個遠古邪靈，他吸取人類的生命力，以維持自己的力量，于是庫拉與邪靈達成協議，只要邪靈能摧毀希特勒的軍隊，那么他就將邪靈從碉堡中放出。此時，一個希臘人葛萊肯（斯科特 ;格林 Scott Glenn 飾）特地來到了小村落，他決定不惜任何代價阻止庫拉博士將邪靈釋放，因為一旦邪靈恢復自由，他的詛咒將會危害全人類 

幕后花絮

惡戰2025

活到最後才有繼承權資格…背叛、猜疑和貪婪交織！一場災難性的運鈔行動後，三噸貨物運抵目的地，但所有現金卻不翼而飛，幫派內部一片混亂。老大身亡，死於內部背叛和謀殺，幫派的得力幹將克萊奧挺身而出，誓要揭開真相，隨著真相逐漸浮出水面，一張由背叛、猜疑和貪婪交織而成的錯綜複雜的網也隨之浮現。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.