三十次探索性的機遇

　　一個手握政府機密的AWOL海軍成員正被俄國特工和一個危險的殺手追緝

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

 電影講述了奧斯維辛集中營的指揮官魯道夫·霍斯和他的妻子海德薇格在集中營旁的一所房子里和花園中為他們的家庭打造夢想生活的故事。

　　本片是一部跨越百年的愛情傳奇故事。講述了安宇廷因為好奇心驅使陰差陽錯地來到桃源村，從而在桃源村經歷了種種奇遇看到美人魚，最后與村民一起同來傷害美人魚的惡勢力作斗爭，并最終取得勝利......