劇情縱覽
阿明是一名年輕編劇,他在地中海度假,在度假期間他與一名叫做賈斯敏的女孩相愛了。在這期間,他又遇到一個制片人聲稱可以投資他的第一部電影。這時制片人的老婆看上了阿明,這時阿明要在賈斯敏、制片人老婆與自己的職業生涯三者中做出選擇。
阿明是一名年輕編劇,他在地中海度假,在度假期間他與一名叫做賈斯敏的女孩相愛了。在這期間,他又遇到一個制片人聲稱可以投資他的第一部電影。這時制片人的老婆看上了阿明,這時阿明要在賈斯敏、制片人老婆與自己的職業生涯三者中做出選擇。
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
“我想起來了……”沉睡的記憶與真相即將覺醒。 故事以長野縣為舞臺,高人氣角色“長野三人組”大和敢助、諸伏高明、上原由衣將登場亮相。當毛利小五郎警視廳時期同事“鱷魚”遭遇意外,與致使大和敢助“獨眼”的神秘雪崩案交織,無法兌現的承諾和獨眼中的殘像就此重疊。雪花飛舞,真相與愛意終將明晰!這一次,毛利小五郎將不再沉睡,與柯南、大和敢助等人攜手探案,親手揭開掩埋于雪山之下的秘密與真相……
本作の主人公は、大人になりきれない30歳の公立中學校教師?市川。彼が擔任を受け持つクラスの生徒數十人が校則への抗議として髪を金色に染めて登校し、學校中が大騒ぎになるさまが描かれる。