即刻觀影
劇情賞析
編輯推薦
猩球崛起2：黎明之戰
安迪·瑟金斯,杰森·克拉克,加里·奧德曼,凱麗·拉塞爾,托比·凱貝爾,柯蒂·斯密特-麥菲,柯克·埃斯沃多,尼克·瑟斯頓,泰瑞·諾塔里,卡琳·考諾娃,朱迪·格雷爾,喬恩·阿茲,恩里克·穆西安諾,拉勒米·道克·肖,李·羅斯十年前，人類為自己的愚蠢付出慘痛代價，兇險致命的猿流感病毒蔓延全球，世界毀滅殆盡。而在毗鄰舊金山的原始叢林，凱撒（安迪·瑟金斯 Andy Serkis 飾）帶領猩猩伙伴們建立起無憂無慮的王國，直到某一天，猩猩的家園的寧靜再度被人類打破。在舊城茍延殘喘的人類面臨能源危機，他們試圖利用森林腹地大壩的發電站提供能源。青年科學家馬爾科姆（杰森·克拉科 Jason Clarke 飾）試圖說服聚集地負責人德里弗斯（加里·奧德曼 Gary Oldman 飾），希望通過和平手段取得猩猩部落的信任和同意。然而凱撒的好盟友科巴（托比·凱貝爾 Toby Kebbell 飾）卻無法摒除對人類的憎恨，他嘗試著挑戰者凱撒的權威。 人類和猩猩，雙方小心翼翼試探，而戰爭在所難免……
亂馬12：中國昆侖大決戰！破壞計劃之激斗篇！！
山口勝平,林原惠美,日高范子,鹽澤兼人,玉川紗己子,大林隆介,緒方賢一,高山南,井上喜久子,鈴置洋孝,井上和彥,鶴弘美,山田榮子,松井菜櫻子,山寺宏一,佐久間玲,關俊彥,島津冴子,吉村傭,子安武人,真殿光昭,石田彰,永井一郎,麻生美代子又是一個平靜的日子，內褲愛好者八寶齋（永井一郎 飾）四面出擊，惹得亂馬（山口勝平 飾）、小茜、良牙（山寺宏一 飾）、珊璞（佐久間レイ 飾）等人紛紛加入進來，在鎮上惹出巨大的騷動。正當眾人鬧得不可開交之時，一頭裹挾著黑色殺氣的大象突然襲來。它和美麗的主人向八寶齋發起攻擊。與此同時，天空陰云密布，一艘巨船出現在空中。他們是來自中國內地寢昆侖的七福道神，這群神秘之人不僅搶走騎象少女帶來的奧義經卷，還虜走了小茜。亂馬一眾不堪就范，決定啟程前往中國……本片根據高橋留美子的漫畫《亂馬1/2》改編，系該動畫的劇場版第一部。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
婚姻故事
斯嘉麗·約翰遜,亞當·德賴弗,勞拉·鄧恩,艾奇·羅伯遜,梅里特·韋弗,阿倫·阿爾達,朱莉·哈格蒂,雷·利奧塔,馬克·奧布萊恩,華萊士·肖恩,凱爾·博恩海默,米奇·薩姆納,馬修·馬希爾,羅伯特·斯密戈爾,艾登·梅耶里,布魯克·布盧姆,瑪莎·凱莉,阿爾伯特·瓊斯,漢娜·鄧恩,桑德拉·羅斯科,麥金利·貝爾徹三世,戈登·格里克,馬修·希爾,阿米爾·塔萊,薩拉·瓊斯,文尼·希伯,胡安·阿方索,洛蕾塔·謝諾斯基,滕德·艾德比佩,賈思敏·西法斯·瓊斯講述了結婚多年并育有一子的戲劇導演查理和女演員妮可因工作分居而不得不走向離婚，在這場為了爭奪撫養權的離婚拉鋸戰中，關于愛情、婚姻和家庭真實感人的細枝末節牽動人心。兩人的關系又將何去何從？
富貴逼人來
彼得·塞勒斯,雪莉·麥克雷恩,茂文·道格拉斯,杰克·沃登,理查德·貝斯哈特暢斯（彼得·塞勒斯 Peter Sellers飾），一位頭腦簡單的老園丁。他一直生活在華盛頓的一間老房子里，從未離開過。他全部的生活就是看電視，看電視成了他唯一與外界溝通的途徑。在長期的累積之下，他的整個思想行為和世界觀已完全電視化。然而他的雇主突然去世，暢斯一下子變得無處可去，孤苦無依。面對陌生而又新鮮的世界，他頓時亂了方寸。在一場突如其來的車禍后，暢斯居然成為富有的華盛頓商人伊芙（雪莉·麥克雷恩 Shirley MacLaine飾）和本（茂文·道格拉斯 Melvyn Douglas飾）的座上賓。他憑借在電視上學來的“廣博”知識，技驚四座，甚至當上了政客們倚重的智囊。本部享譽70年代末期影壇的政治諷刺喜劇《富貴逼人來》，是笑匠彼得·塞勒斯的最后遺作。本片榮獲1980年第52屆奧斯卡金像獎最佳男配角并獲得最佳男主角提名，入圍1980年第33屆戛納電影節主競賽單元-金棕櫚獎。
沼澤怪物1982
路易斯·喬丹,阿德里安娜·巴比歐,雷·懷斯一名科學家在實驗中不小心沾到了一種具有快速成長特性的化學液體，不久，他就變成了半人半獸的水怪。這時，野心分子也想獲得這種具有快速成長特性的化學液體的秘密公式，他們遂派員追殺持有科學家記事本的電子專家。后來他們發現了這名科學家的下落，終于在沼澤區這幫野心分子跟科學家變成的水怪展開了決斗。這是一部滑稽可笑的科幻動作片，水怪的化妝和服裝都顯得愚笨而不能入信，對白亦平淡乏味，整部影片露出了低成本制作的粗糙感