學(xué)生的媽媽2

　　曾經(jīng)叱咤小鎮(zhèn)的“大哥”黃榮發(fā)（黃渤 飾）如今嘴硬腿軟，開(kāi)啟人生困難模式，但他和家人都沒(méi)有被命運(yùn)的風(fēng)浪裹挾。兒子黑狗達(dá)（范丞丞 飾）看似是黃家唯一“淡人”，暗地卻密謀如何發(fā)家又“治父”；妻子陳梨珍（殷桃 飾）樣樣全能橫掃困難，是小鎮(zhèn)人盡皆知不太好惹的“媽系超人”；膽大手“黑”的女兒黃嬌嬌（李嘉琦 飾）和“神”通廣大的阿太（劉雪華 飾）也各出奇招笑料百出。逆境當(dāng)前，一家唯有興“瘋”作浪跟生活貼臉硬剛，沒(méi)準(zhǔn)真能讓他們絕地翻盤(pán)？

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.

講述一對(duì)性格迥異的同父異母兄弟——哥哥是行事沖動(dòng)的偵探，弟弟是紀(jì)律嚴(yán)明的海軍海豹突擊隊(duì)員——因父親在夏威夷遇害而被迫聯(lián)手，踏上一場(chǎng)危機(jī)四伏的追尋之路，誓要揭開(kāi)背后隱藏的驚天陰謀。

　　When a cult that worships mind-altering parasites takes over a small town, a trio of women in lockdown are dragged into a fight for survival and revenge.