歷劫俏佳人 Havoc

? 9.1 播放：55萬 2026-04-28

Alison（安妮•海瑟薇 飾）與Emily（碧悠•菲麗浦 飾）家境富裕，Alison的父母已離婚，她們都不愿受到太多父母的牽制，于是她們開始跟學校中的小混混一起廝混。Alison與男友Toby（邁克•沃格爾 飾）及其朋友常常聚在一起開狂野派對。他們生活頹廢，到處尋找刺激，于是他們的生活充滿了色情、毒品與打斗。 一晚Toby建議一起到貧民窟去找刺激，Toby向當地老大Hector（弗萊迪•羅德里格茲 飾）買毒品時兩人發生爭執，Toby被Hector手上的槍嚇得失禁。而Alison便對這個龍頭老大Hector產生了興趣。她漸漸遠離Toby，并常常到貧民窟與Hector見面。她要想Hector展現自己的魅力，生活依然頹廢。直到一次，Alison與Emily表示要加入Hector的組織， Emily卻差點受到輪奸，而Alison也以為Hector對自己也同樣有好感。這時她們才明白到自己的生活是多么的荒唐……

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? 播放 歷劫俏佳人 Havoc

劇情提要

Alison（安妮•海瑟薇 飾）與Emily（碧悠•菲麗浦 飾）家境富裕，Alison的父母已離婚，她們都不愿受到太多父母的牽制，于是她們開始跟學校中的小混混一起廝混。Alison與男友Toby（邁克•沃格爾 飾）及其朋友常常聚在一起開狂野派對。他們生活頹廢，到處尋找刺激，于是他們的生活充滿了色情、毒品與打斗。 一晚Toby建議一起到貧民窟去找刺激，Toby向當地老大Hector（弗萊迪•羅德里格茲 飾）買毒品時兩人發生爭執，Toby被Hector手上的槍嚇得失禁。而Alison便對這個龍頭老大Hector產生了興趣。她漸漸遠離Toby，并常常到貧民窟與Hector見面。她要想Hector展現自己的魅力，生活依然頹廢。直到一次，Alison與Emily表示要加入Hector的組織， Emily卻差點受到輪奸，而Alison也以為Hector對自己也同樣有好感。這時她們才明白到自己的生活是多么的荒唐……

幕后花絮

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

杰姆·耶爾馬茲：招牌笑料2024

　　在這部充滿活力的特輯中，土耳其重量級喜劇演員杰姆·耶爾馬茲登上單口喜劇舞臺，調侃了“取消”文化和令人后悔的紋身等話題