一波又一波的欲望
別名：快樂的波波 Waves of Lust / A Wave of Pleasure 幾年前，他還做出了一大飛濺在食人族子流派，魯杰羅德奧達托的導演羅曼波蘭斯基的輝煌水中刀這個成功的撕裂。當然，作為一個意大利電影 - 有更多的專注于性別比中央的夫婦之間的關系，但幽閉氣氛和有趣的字符有助于保持張力冒泡，確保電影有趣的是，在此期間。電影不會有那么多"咬"食人族大屠殺和最其余魯杰羅德奧達托的片目，但很明顯，甚至與這個早期的電影;德奧達托潛力的導演對電影做一個標記。情節簡單，它只是集中在兩對夫婦。喬治和西爾維婭邀請伊瑞姆和芭芭拉他們的游艇上周末巡航。它很快蒸發，喬治是不是最敏感的人，是曾經出現過，和西爾維婭似乎并不介意他那雙治療。局勢升級，和伊瑞姆和芭芭拉聯手報復喬治和西爾維婭三通性，當然。 這部電影是其持續時間為廣大一艘游艇，這使得設置為一個偉大的電影將于英寸隔離設置意味著，德奧達托可以保持對人物的焦點，這絕對是一件好事膜。有很多的情況一樣沒用的意大利電影，一些人物的動作都有點腥的對話主要是空洞的 - 但這些事情不要打擾我太多，波色樂呵呵地觀看。有大量的x愛場面，而特性的膠卷，血很少，這并不重要，因為它是明確的重點在哪里，就是要。這部電影不提供任何特別知名演員，雖然四個主要演員都將繼續出演更好地了解意大利電影。約翰 施泰納是在演戲方面的最大出色旁邊秀色可餐伊麗莎白 特納和西爾維婭迪奧尼西奧提供了一個良好的表現。中央四人鋁吊鉤（從僵尸血肉食者）四舍五入。總體而言，波色絕對有看頭。和緊張的氣氛是好的，這一切都歸結到一個滿意的結論。
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神秘島
邁克爾·克雷格,瓊·格林伍德During the US Civil War, Union POWs escape in a balloon and end up stranded on a South Pacific island, inhabited by giant plants and animals. They must use their ingenuity to survive the dangers, and to devise a way to return home. Sequel to '20,000 Leagues Under the Sea' . Written by Stewart M. Clamen
黃金七令之羅剎風云
任子豪,何雨宸,李子雄,李家辛,徐俊,謝昌定,朱翔,曹憶,錢婧睿,張宸彬,高迦瀾,曾慶生,范奇《七令詭事錄》是由徐俊、高悟翔執導，任子豪、何雨宸、李家辛、袁祥仁，徐俊、 領銜主演，劉碩、張宸彬、朱翔、胡建偉、李平安、錢婧睿、曹憶等出演的驚悚、懸疑、恐怖片。 該片講述江湖豪俠薛氏兄妹，薛小風和薛小花被人陷害被卷入掏心慘案中，隨著黃金七令浮出水面，薛氏兄妹聯手警察局總探長段廣龍，將黃金七令背后的秘密一層層揭開。
特蕾莎修女
勞米·拉佩斯,西爾維婭·侯克斯,尼古拉·里斯坦諾夫斯基,Ekin Corapci,Marijke Pinoy,拉賓娜·米特威斯卡講述特蕾莎修女一生中關鍵的7天，即她決定離開加爾各答的洛雷托·恩塔利修道院，創立自己的修道會的時期。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
治療尸
陳郡君,張立昂,蔡子,陳沛興,鐘麗芬,劉芷希如果靈魂離開了身軀，肉體還是正常活動，該怎么去解釋這種生命形態？余燕（陳郡君飾）早晨醒來便覺得身體有異常，先后與家人和男友許德（張立昂飾）發生爭執，盛怒的余燕轉身離去，隨后發生車禍。經醫生搶救逃過死劫，卻找不到心跳。此時她被劫走，醒來后身處在地下密室，研究失魂者的胡教授解釋余燕會失去魂魄，是因為內心有強烈的負面磁場，一旦受到沖擊，靈魂就會脫離身體。余燕需要在72小時內把自己的靈魂找回來，才能夠恢復正常。
廢世界
故事設定在《廢頭》世界的1042年前，以機器人“羅賓”作為主角。羅賓原本作為護衛，隨同調查隊長特里斯前往地下世界調查異常情況。盡管肩負保護特里斯的使命，但調查隊卻遭到了人工生命體馬里甘的邪教組織“吉拉教”的襲擊。在壓倒性的戰力差距下，調查隊陷入苦戰。然而，在這場激烈的交鋒中，他們發現了次元的扭曲，并逐步揭開地下世界隱藏的秘密與異變的真相。