影片推薦
搶錢大作戰
吉奧瓦尼·瑞比西,范·迪塞爾,尼婭·朗,尼基·凱特,本·阿弗萊克,湯姆·艾弗瑞特·斯科特看不見的女兒
阿登·楊,茱莉亞·莎拉·斯通,Camille Sullivan港之光
館博,尾上真秀,真榮田鄉敦,黑島結菜,齋藤工,瀧正則,一之瀨亙,山野仁,赤堀雅秋,市村正親,宇崎龍童,笹野高史,椎名桔平浪扼三焦
卡拉·朱里,Véronique Tshanda Beya,Esperanza Martin González-Quevedo,Alessia Raschellà,沙夏·萊伊幸福2024
洼冢愛流,蒔田彩珠不過是上班
吳俊霆,李孝謙,安娜,周德華,合文俊,小愛,帕賽,孫天宇,李逗逗,李川,丁冠森,王藝禪,陳思斯同類精選
超級士兵
約翰·亞伯拉罕,杰奎琳·費南德斯,拉庫爾·普雷特·辛格外星博士
阿特羅皮亞
阿莉雅·肖卡特,克洛伊·伊斯特,查寧·塔圖姆,科洛·塞維尼,簡·利維,卡勒姆·特納,蒂姆·海德克,吉爾·佩雷斯-亞伯拉罕,索爾·洛佩斯,托比·尼克爾斯,托尼·肖卡特,普莉希拉加里塔,吉爾伯托·奧爾蒂斯,Dash Melrose,沙霍莉·艾爾斯,理查德·布萊克蒙,阿里烏斯·巴恩斯,扎赫拉·阿爾祖拜迪,菲爾·伯格斯,肖恩·崔糖果 ??
崔智友,高東河安娜和世界末日
艾拉·亨特,馬爾科姆·卡明,莎拉·斯維爾,克里斯托弗·萊沃,瑪里·休,本·威金斯,馬克·本頓,保羅·凱耶,肖恩·康納,約翰·溫切斯特,艾拉·賈維斯,杰基·伯德脆弱的男人
亞辛·侯伊卡,歐萊雅·阿瑪拉,拉斐爾·奎納德,Bilel Chegrani,迪翁-克巴·塔庫,蒂法因·戴維斯,霍莉·法特瑪,吉列爾莫·吉茲,薩米拉·塞迪拉,Olivier Soula,Marion Guerrero,Tigrane Avedikian,Juliette Cardinski,Thomas Bricmont,Roméo De Lacour,Marvin Pellegrino,艾瑪·貝內斯坦,Aurélien Marra,塔薩迪特·曼迪,Atmen Kelif影視排行
魔鬼蜘蛛男
藤田進,岡譲司,舟橋元,松下猛夫,風間繁美,八島恵子,宮城千賀子《蜘蛛男》是“江戶川亂步作品集”第七卷。故事開頭,怪紳士稻桓租下了一間事務所,把它重新裝修成美術藝品店。第二天開業時聘用了一名十八歲的美少女,但當天晚上就奸殺了這名少女。接下來的幾天內報紙社會版頭條陸續刊登了“碎尸案”、“美人魚案”。民間犯罪學者畔柳博士接手此案,在與藍胡子稻桓正面交鋒的過程中屢屢敗下陣來,直到環游歸來的明智加入偵破陣營……,故事從讀者預測不到的角度展開,是一部名探與殺人狂的斗智故事。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
羊背上的DJ
Arif Jakup,Agush Agushev,Aksel Mehmet,Dora Akan Zlatanova,Selpin Kerim,Atila Klince,Elhame Bilal,Metin Ibrahim,Tamer Ibrahim,Adem Karaga,Nadzi Shaban本片在2025年圣丹斯電影節一舉拿下世界劇情片競賽單元評審團特別獎(創作視野)和觀眾獎兩項大獎。馬其頓偏遠村莊的15歲的牧羊少年沉醉于音樂世界,但在傳統社會規則下,他必須面對來自周遭環境與父親的質疑。某日放羊途中,他偶遇了一場大型的電子舞會,邂逅令他心動的女孩……導演喬治·M·溫科夫斯基的長片首作試圖探索集體期望與自我表達之間的微妙平衡。片中鮮活的色彩、詼諧的橋段、惹人憐愛的角色和韻律十足的音樂,為這個成長故事注入勃勃生命力。影片溫柔且有力地回答了藝術如何成為精神避難所,又如何變為成長催化劑。
大明嬪妃之逐鹿
宋洋,何杜娟,朱一龍,陳一諾,王藝曈,王春妹處死朱由樺的當天,朱由樺離奇失蹤,梅兒和蘭心都因此受到責罰。蘭心不顧太子反對,執意要將朱由樺送還給三皇子,卻發現馬車上的孩子竟然不翼而飛。蘭心和太子感情出現嫌隙,梅兒和金碧瑤使出渾身解數爭得太子寵愛。太子和萬歷等人到郊外狩獵,有人暗殺太子,梅兒為太子擋下一箭,生命垂危,太子深受感動,認為欠梅兒太多。上官鴻業調查太子行刺事件,卻發現幕后的真兇并不是眾人猜想的三皇子,而是梅兒。梅兒冊封當天,鄭貴妃揭出了梅兒乃娼妓之女的秘密,讓梅兒不能受封。鄭貴妃趁勢發動自己的親信彈劾上官鴻業,蘭心救父心切,卻誤會太子,兩人再次不歡而散。失蹤多日的朱由樺突然出現在蘭心房中,將朱由樺放入籃子中帶入宮去,卻被梅兒換成了旋兒,蘭心帶“朱由樺,”進宮,巧遇為上官鴻業來求情的太子,太子再次產生了誤會。在王恭妃和鄭貴妃的逼迫下,太子提劍殺死了璇兒 ,等知道時璇兒已經沒有了呼吸。蘭心傷心欲絕。蘭心帶幸存的朱由樺離去,太子策馬追去,卻尋不見蹤影了。皇上以太子妃一位不可久缺為由,冊封大學士王中澤之女王氏為太子妃。