劇情縱覽
舞女Kitty (三十歲),既爛賭,更染上毒癮,致令其男友大失所望棄之而去。其后Kitty遇上了同是癮君子的財(男三十六),二人臭味相投,結伴同居。一日,財發現Kitty失蹤,找了半天仍未有結果,急如熱鍋上的螞蟻。原來Kitty因欠大耳窿杰哥兩萬多元毒品錢,拖欠多天,終被杰抓到。杰隨Kit...
舞女Kitty (三十歲),既爛賭,更染上毒癮,致令其男友大失所望棄之而去。其后Kitty遇上了同是癮君子的財(男三十六),二人臭味相投,結伴同居。一日,財發現Kitty失蹤,找了半天仍未有結果,急如熱鍋上的螞蟻。原來Kitty因欠大耳窿杰哥兩萬多元毒品錢,拖欠多天,終被杰抓到。杰隨Kit...
平靜的一天,事業小有成就的中年男子杰米(費爾南多·卡約 Fernando Cayo 飾)和妻子瑪爾塔(安娜·瓦格納 Ana Wagener 飾)、女兒伊莎(曼紐拉·維拉斯 Manuela Vellés 飾)搬入了夢寐以求的大房子內。正當一家人爭論晚上該不該一起度過時,三個蒙面歹徒闖入房中。為了保護家人的安全,杰米積極配合,抄下了信用卡號碼并交出手機,并隨同歹徒的首領外出取錢。他時刻尋找機會報警,卻不知自己所面對的是根本不會妥協的冷血惡魔。另一方面,不斷有訪客扣響杰米家的房門,恐慌的瑪爾塔母女則想盡一切辦法逃脫,似乎又讓一切變得更加糟糕?! ∷茻o止境的長夜,愈加黑暗幽冷……
這部最新續集故事從五個年青的互聯網游戲者,接到一個神秘的邀請開始,去參加一個名叫《地獄互聯網》站點的特殊聚會,不過他們沒有想到,那是一個恐怖的難以用言語表達的夜晚。。。全新特技、視覺效果,一個恐怖電影迷不能放過的片子?! ∵@是一部全新而獨特的Hellraiser系列最新篇,大部分原班人員繼續上陣。和其它幾集比較來說,表面看只是一出跟其它B級片沒兩樣,同樣灑狗血的電影,但Rick Bota在血和核突以外,還加上深入一點的人性探討。前幾集的故事主要跟家庭、人的欲望和惡行有關,結果令他們慘受地獄使者的騷擾,充滿冷色調的美術設計,令Clive Barker所營造的世界,更見冷酷。
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.