另一個女人1992

5.8 播放:17萬 2026-04-24
主演:Lee Anne Beaman Juliet Reagh 

女記者調(diào)查謀殺案,竟然發(fā)現(xiàn)一神秘女子與自己丈夫有染,整個案件變得撲朔離迷,真相終要曝光。

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世外逃劫

錫德·盧塞羅,碧優(yōu)緹·岡薩雷斯,詹姆斯·布蘭科

  喪尸危機(jī)爆發(fā)后,一家人躲到一處偏僻的農(nóng)場。然而,當(dāng)他們在這個荒涼的世界求生時,隱藏多年的痛苦秘密給這家人造成了巨大陰影。

拯救地球

艾瑪·斯通,杰西·普萊蒙,艾丹·德爾比思,斯塔夫羅斯·哈爾基阿斯,艾麗西亞·希爾維斯通,帕文德·謝爾吉爾,瓦妮莎·恩格,亞伊薩,塞德里克·迪莫爾內(nèi),馬克·T·劉易斯,莫瑪·切瑞,卡門·加林德斯·巴雷拉,羅杰·卡瓦略

  兩名深信陰謀論的年輕人綁架了一位有權(quán)有勢的大型企業(yè)女首席執(zhí)行官(艾瑪·斯通 Emma Stone 飾),因為他們堅信她其實是個企圖摧毀地球的外星人。

三人新世界

林子祥,鄭裕玲,張曼玉,周慧敏,關(guān)秀媚,梁佩瑚,文雋,金燕玲,許紹雄

  經(jīng)歷了上一集的風(fēng)風(fēng)雨雨,艾利克斯(林子祥 飾)和朱麗娥(鄭裕玲 飾)總算是兩情相悅走到了一起。他們決定在新年之后攜手步入婚禮的殿堂,然而,在此節(jié)骨眼上,艾利克斯被公司緊急召喚加班,兩人本來溫馨愉快的假期生活泡了湯。  喬伊(張曼玉 飾)是艾利克斯的同事,兩人雙雙被派往巴黎出差。愛人不在身邊,這讓朱麗娥感到十分沒有安全感,再加上表哥(許紹雄 飾)的挑撥離間聽風(fēng)就是雨,心態(tài)爆炸的朱麗娥決定也前往巴黎,看好自己的未婚夫。一連串的誤會讓朱麗娥和喬伊之間的關(guān)系跌破了冰點,她和艾利克斯的感情也因此產(chǎn)生了裂痕。

雙山阻擊戰(zhàn)

洪衛(wèi),劉冠霖,葛佳佳,郭廣平,周惠林

  回望歷史所帶來的震撼,它讓我們牢記:中華兒女只要萬眾一心,就能抵御一切來犯之?dāng)常湍軐崿F(xiàn)屹立于世界民族之林的中國夢。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

大廚

讓·雷諾,邁克爾·揚(yáng),Rapha?lle Agogué,朱利安·波義塞利爾,莎樂梅·斯蒂文寧,Serge Larivière

  德高望重的亞歷山大(讓·雷諾 Jean Reno 飾)多年來一直是米其林餐廳的三星主廚,但是近來他的境遇卻屢現(xiàn)危機(jī)。當(dāng)下的法國料理界正是”分子料理”風(fēng)靡,傳統(tǒng)料理日漸衰落的時代,亞歷山大所堅持的傳統(tǒng)料理很有可能會在即將到來的星級評審中落敗,餐廳的小開更是翹首以盼可以就此炒了他。正當(dāng)亞歷山大焦頭爛額之時,一名名不見經(jīng)傳的小廚師杰克(邁克爾·揚(yáng) Micha?l Youn 飾)出現(xiàn)了,杰克是亞歷山大食譜的忠實追隨者,卻因?qū)α侠淼目駸峁虉?zhí)屢次失業(yè),只好在養(yǎng)老院找了份油漆工作。一個偶然的機(jī)會,亞歷山大讓杰克到他的餐廳實習(xí),杰克與生俱來的料理天分和另辟蹊徑的烹調(diào)創(chuàng)意令亞歷山大大為賞識,很快成為其左右手。星級評審越來越近,兩位傳統(tǒng)烹飪大師的合作能否在挑剔的”分子料理”派面前力挽狂瀾呢?