私人課程

1.0 播放:41萬 更新:2026-04-29

修道院的尼僧孤戀14歲俊少年,14歲男生 Denis 和修女克洛蒂爾德真正愛上了彼此。在戰(zhàn)爭期間他們兩個在一個廢棄的農(nóng)場采取住房和一起快樂地生活,直到當?shù)厝碎_始懷疑他們的關(guān)系

即刻觀影

劇情賞析

修道院的尼僧孤戀14歲俊少年,14歲男生 Denis 和修女克洛蒂爾德真正愛上了彼此。在戰(zhàn)爭期間他們兩個在一個廢棄的農(nóng)場采取住房和一起快樂地生活,直到當?shù)厝碎_始懷疑他們的關(guān)系

編輯推薦

浴火之森

貝倫·奎斯塔,戴安娜·戈麥斯,恩里克·奧克爾,華金·弗里爾

失去丈夫后,瑪格達帶著女兒萊德前往森林中的避暑別墅,準備將其出售。這原本是為了治愈創(chuàng)傷的第一步,卻因萊德失蹤和突發(fā)森林大火而發(fā)生了意外轉(zhuǎn)折。

女人們的談話

魯妮·瑪拉,朱迪思·愛薇,艾米麗·米切爾,凱特·哈萊特,麗芙·麥克尼爾,克萊爾·芙伊,希拉·麥卡錫,杰西·巴克利,米歇爾·麥克勞德,基拉·古洛安,莎伊拉·布朗,弗蘭西斯·麥克多蒙德,薇薇安·安迪克特·道格拉斯,本·衛(wèi)肖,奧古斯特·溫特,洛克蘭·雷·米勒,納撒尼爾·麥克帕蘭德,威爾·寶,伊里·哈姆,艾米麗·德雷克,馬庫斯·克雷格,卡羅琳·吉利斯

 來自與世隔絕的宗教社區(qū)的婦女們努力使她們的現(xiàn)實與她們的信仰相協(xié)調(diào)。通過背景故事,我們看到一個婦女社區(qū)聚集在一起,研究如何共同前進,為她們自己和她們的孩子建立一個更美好的世界。要么留下來戰(zhàn)斗,要么離開。她們不會什么都不做。

美麗新世界

Julie Cobb,巴德·庫特,凱爾·杜拉,朗·奧尼爾,瑪西亞·斯特拉斯曼,迪克·安東尼·威廉姆斯,瓊內(nèi)爾艾倫,珍內(nèi)塔·阿爾內(nèi)特

  本片改編自“ 阿道司·赫胥黎 ”同名小說。一個在原始社會長大,通過閱讀莎士比亞自學(xué)的野蠻人,突然有一天加入了他父母所在的未來社會。然而,他不能適應(yīng)他們的生活方式……

尋磚

張亮,鄂靖文,劉俊孝,鄭強,趙毅,李寶安,紅花,傅花道,耿一正,周培巖

野長城丟了一塊磚,富貴為了尋找自己藏在磚里的戒指,踏上尋磚之路。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

全面追緝令

摩根·弗里曼,莫妮卡·波特,邁克爾·維克特,迪倫·貝克,米卡·波瑞姆,安東·葉利欽,金·霍桑,杰伊·桑德斯,比利·伯克,邁克爾·莫里亞蒂,佩內(nèi)洛普·安·米勒,安娜·瑪利亞·霍斯福德,克里斯托弗·謝爾

  亞歷克斯(摩根·弗里曼 Morgan Freeman 飾)是一名資歷豐富的警探,這一次,他被派遣負責國會議員女兒被綁架一案。杰姬(莫妮卡·波特 Monica Potter 飾)是負責保護被綁架女孩安全的特工,正為了自己的疏忽和失職自責不已,趁此機會,她強烈要求成為亞歷克斯的搭檔,一同偵破此案。  隨著調(diào)查的深入,一個名為加里(邁克爾·溫科特 Michael Wincott 飾)的男人浮出了水面,除了綁架了議員的女兒,他還和城中發(fā)生的數(shù)起綁架案有著千絲萬縷的聯(lián)系。亞歷克斯和杰姬隨即展開了歲加里的追捕,然而,老奸巨猾的加里并不會輕易的被警方捕獲,恰恰相反,在不知不覺間,亞歷克斯走入了加里所設(shè)下的彌天陷阱之中。