即刻觀影
劇情賞析
編輯推薦
驚聲尖叫7
內芙·坎貝爾,伊莎貝爾·梅,柯特妮·考克斯,梅森·古丁,賈思敏·薩沃伊·布朗,大衛·阿奎特,馬修·里沃德,斯科特·弗利,塞萊斯特·奧康納,阿薩·格爾曼,麥肯娜·格瑞絲,薩姆·雷希納,米歇爾·蘭道夫,吉米·塔特羅,安娜·坎普,喬爾·麥克哈爾,馬克·康蘇斯,伊桑·恩布里,維克托·特平,Scott Allen Frederick,艾米·彭伯頓,Josh Thrower,Cyle Winters,羅格·杰克遜新的鬼臉殺手出現在Sidney Prescott（內芙·坎貝爾 飾）過著新生活的寧靜小鎮，她心底里最恐懼的事已在現實生活中發生，因為她的女兒（伊莎貝爾·梅 飾）成為了鬼臉殺手下一個目標。為了保護家人，Sidney必須再次面對她過去的恐怖經歷，徹底結束無止境的血腥殺戮。
挫敗的人生劫案
凱瑞·克勞利,布里德·布倫南,Eva-Jane Gaffney,肖恩·T·O·米爾萊,Marcus Lamb,阿特·帕金森,Naseen Morgan,Niall Mac Eachmharcaigh,Brid Ní Chumhaill,Christopher Grant,Eoghan Mac Giolla Bhrighde是被過去塑造的囚徒，還是自我命運的締造者？故事以搶劫失敗后的悲劇開場。一位瀕臨崩潰的偏執女子，帶領兩名同伙搶劫了愛爾蘭農村信用社，但計劃漏洞百出。事態不斷失控，隨著時光倒流，那些無法逃離的記憶如同鎖鏈，不僅將她們拖入深淵，更將身邊人卷入致命漩渦。
猛虎末路
勞倫斯·魯波,大衛·舒特,塞巴斯蒂安·烏澤多夫斯基,安德烈·赫尼克,阿爾恩特·施韋林·索瑞,倫納德·昆茲,Tilman Strauss,Yoran Leicher一輛德國虎式坦克的五名車組成員被派往戰火紛飛的前線后方執行一項秘密任務。在德軍亢奮藥物的刺激下，他們的任務逐漸變成了一場深入黑暗之心的旅程。
春閨風月
艾琳·鄧恩,加里·格蘭特,拉爾夫·貝拉米,亞歷山大·達西,塞茜爾·坎寧安,莫莉·拉蒙特,喬伊斯·康普頓,羅伯特·沃里克,瑪麗·福布斯,Esther Dale,Robert Allen故事發生在車水馬龍的大都市紐約，杰瑞（加里·格蘭特 Cary Grant 飾）和露西（艾琳·鄧恩 Irene Dunne 飾）是一對感情十分要好的夫妻，兩人時常結伴出入上流人士所舉辦的高端晚宴之中，生活極盡奢華，但隨著時間的推移，這表面幸福的婚姻生活終究還是出現了裂痕，杰瑞和露西決定離婚。在兩人分開之后，杰瑞邂逅了富有而又美麗的遺孀芭芭拉（莫莉·拉蒙特 Molly Lamont 飾），露西則傍上了石油大亨丹尼爾（拉爾夫·貝拉米 Ralph Bellamy 飾），可尋找到了各自幸福的兩人卻并不能相安無事，正相反，他們開始想方設法的破壞和阻撓對方的情感關系，就此引出了一系列荒誕可笑的意外。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
汽車旅館人生
Emile Hirsch,達科塔·范寧時光網訊 據國外媒體報道，埃米爾·赫斯基將主演一部名為《The Motel Life》的新片，而他也被本片最早確定下來的主創人選。 影片改編自Willy Vlautin的同名處女作小說，講述了一對內達華州的兄弟在經歷了一場致命變故后踏上逃亡之路，雖然途中偶然會出現幸運和希望，但他們依舊漸漸被社會所遺棄。