在線播放
劇情簡介
影片改編自托爾斯泰小說《謝爾蓋神父》(Отец Сергий)(1873),敘述了一個追求真理不可得、尋求上帝又不見,因而終日苦悶、彷徨的貴族青年悲哀、動人的故事。結構完整、寓意深刻,驚心動魄地表現了靈與肉的沖突。并帶有濃厚的神秘主義色彩。
同類好片
衛兵的吶喊
米婭·麥肯納·布魯斯,馬特·狄龍,伊薩赫·德·班克爾會長的貼身校花
馮芷墨,熊蘇藝索命哨
達芙妮·基恩,蘇菲·奈麗絲,珀西·海恩斯·懷特,尼克·弗羅斯特,艾麗·斯考比,楊子英,斯蒂芬·卡林,米卡·阿蒙森,邁克爾·科拉斯,賈納婭·斯蒂芬斯,蘭內特·瓦雷,特洛伊·詹姆斯,賈利勒·斯瓦比,蔣如思,朱莉婭·迪揚,Cameron Gordon Norris,Toria Summerville,Louis Adams,梅努卡·薩瓦爾,克里斯蒂娜·薩赫利暗金丑島君:完結篇
山田孝之,綾野剛,永山絢斗,真飛圣,間宮祥太朗,海,最上摩卡,真野惠里菜,仲野太賀,狩野見恭兵,湊莉久,天使萌,槙田雄司,玉城蒂娜,六角精兒,茂呂師岡,安藤政信,八島智人,高橋瑪莉潤,崎本大海,矢部享佑愉快動物餅干電影版
松田元太,水上恒司,高石明里,藤森慎吾,蒼井翔太,小澤亞李,水瀨祈,東山奈央,立木文彥,間宮胡桃再一英里
瑞安·菲利普,艾米麗·霍菲爾,莎拉·坎寧,Sage Linder,貝薇莉·埃利奧特,菲爾·伯克,加布里埃爾·哈辛托,C·托馬斯·豪威爾,喬納森·懷特賽爾,裘德·威爾遜,加菲爾德·威爾遜,Keana Velsen,西蒙·錢,威廉·威爾德,Loreen Regnander,Parveen Dosanjh,Elliot Drew,安德魯·科蘭特斯,Tommy Europe,Karina Frislev導演精選
伊曼紐爾的真相
片中卡雅·斯考達里奧飾演伊曼紐爾,她迷上了長得酷像她死去母親的新鄰居(杰西卡·貝爾飾)。為了照顧她新生的孩子,伊曼紐爾陷入了一個虛幻易碎的世界,并成為了那里的守門人…
X 放射線
有個驚嚇過度的小女孩在沙漠游走,唯一吐出的只有一個字:怪物!任何50年代恐怖片迷都會馬上告訴你,她所指的”怪物”就是巨蟻,那是在當地核子試爆后的副產品。這些巨蟻非常有組織,嗜肉且體型巨大,約有8到20呎,它們群聚在洛杉磯的下水道系統,彷若一個巨大的螞蟻園區,準備好要接管這個世界。要和這些怪物對抗的人類精英是新墨西哥警署探員詹姆斯惠特摩,聯邦調查局代表詹姆斯亞尼斯,和一對由埃德蒙關恩和喬安妮威爾登所飾的父女檔昆蟲學家。
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster