人到中年的車仔擁有一間網吧，但在手機游戲的沖擊下，早已人氣不再；三十未到的電競選手邦少正在面對實力下滑的職業困境；單親家庭長大的霏霏大學畢業超過五年，還未有過一份穩定工作。曾是動作巨星的八爺因為妻子阿蘭出現腦退化，年過70的二人嘗試利用電子游戲來鍛煉大腦。一張全港電競賽的征集海報，讓想要拯救網吧的車仔決定組隊。車仔、霏霏、八爺，三個新手再加上一個急于證明自己的邦少，Happy Hour電競隊正式成立。親情、友情的羈絆化作電競賽場的搏殺，一場不可能完成的戰斗，讓心懷夢想的他們不再抱憾。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

禮儀培訓師

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劇情提要

暗夜精選

黑心鬼

魔鏡咒

北京遇上西雅圖之不二情書

?校正單元?

翼

一馬當先

假裝熱情

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