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他與他的第一個愛的丈夫結(jié)婚并與他的丈夫住了10年。 nbsp;我甚至不穿衣服,因為我認為我丈夫的錢很珍貴。有一天,她的丈夫說她有一個女人,讓她感到恐慌。Ji-hyun是一位朋友,她打電話給她的朋友Ji-hyun并假裝關(guān)心它并看著Yura。中土發(fā)現(xiàn)了一個奇怪的網(wǎng)站,并打電話給他的朋友Ji-hyun尋求幫助。 nbsp;Yu-ra發(fā)現(xiàn)她的丈夫經(jīng)常去她的丈夫Min-woo參觀一個cheng人網(wǎng)站。珍妮弗在那里找到了... Yura開始懷疑她丈夫的過去。
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Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster