布爾什維克的虛弱

? 1.7 播放：21萬 2026-04-26

關于大叔與蘿莉的故事，根據Lorenzo Silva的小說改編。 Pablo L oacute;pez（Luis Tosar 飾），一個住在馬德里的平凡中年男子。他在投資銀行上班，有著穩定的收入和生活，但金錢至上的虛偽社會仍令他疲憊不堪，也許耳機里的搖滾樂和深夜的色情雜志能暫時緩解一下他的憤怒。 某個早上，市中心照例交通堵塞，Pablo的車撞上了富家女Sonsoles（Mar Regueras 飾）的豪華敞篷車。這讓他惹禍上身，Sonsoles聲稱受傷，不依不饒。憤怒煩躁的Pablo開始想辦法電話騷擾Sonsoles，卻偶然結識了Sonsoles 15歲的妹妹瑪麗亞（Mar iacute;a Valverde 飾），不久后更發現自己愛上了這個與自己有著巨大年齡差距的青春女孩 

在線觀看

? 播放 布爾什維克的虛弱

劇情提要

關于大叔與蘿莉的故事，根據Lorenzo Silva的小說改編。 Pablo L oacute;pez（Luis Tosar 飾），一個住在馬德里的平凡中年男子。他在投資銀行上班，有著穩定的收入和生活，但金錢至上的虛偽社會仍令他疲憊不堪，也許耳機里的搖滾樂和深夜的色情雜志能暫時緩解一下他的憤怒。 某個早上，市中心照例交通堵塞，Pablo的車撞上了富家女Sonsoles（Mar Regueras 飾）的豪華敞篷車。這讓他惹禍上身，Sonsoles聲稱受傷，不依不饒。憤怒煩躁的Pablo開始想辦法電話騷擾Sonsoles，卻偶然結識了Sonsoles 15歲的妹妹瑪麗亞（Mar iacute;a Valverde 飾），不久后更發現自己愛上了這個與自己有著巨大年齡差距的青春女孩 

暗夜精選

黑心鬼

陳友,梅艷芳,午馬,葉德嫻,莫少聰

大司機

瑪麗亞·貝羅,安·唐德,威爾·哈里斯,瓊·杰特,奧林匹婭·杜卡基斯,Jennifer Kydd

魔法奇緣2：解除魔法

艾米·亞當斯,帕特里克·德姆西,瑪婭·魯道夫,伊迪娜·門澤爾,詹姆斯·麥斯登,加布里埃拉·巴爾達奇諾,奧斯卡·努內斯,杰瑪·梅斯,伊薇特·尼科爾·布朗,科爾頓·斯圖爾特,詹姆斯·門羅·伊格爾哈特,安·哈拉達,Naoimh Morgan,肖恩·達根,布里吉德·萊希,埃馬紐埃爾·奧克耶

瘋狂動物城2

金妮弗·古德溫,杰森·貝特曼,關繼威,福瓊·費姆斯特,安迪·薩姆伯格,大衛·斯特雷澤恩,伊德瑞斯·艾爾巴,夏奇拉,帕特里克·沃伯頓,昆塔·布倫森,內特·托倫斯,邦妮·亨特,唐·雷克,麥考利·卡爾金,布蘭達·宋,莫里斯·拉馬奇,莉亞·萊瑟姆,雷蒙德·S·佩爾西,珍妮·斯蕾特,丹尼·特雷霍,馬克·史密斯,湯米·利斯特,讓·雷諾,塞西莉·斯特朗,朱恩·斯奎布,米歇爾·戈麥茲,戴維·法恩,約翰·雷吉扎莫,湯米·鐘,艾倫·圖代克,邁克爾·J·福克斯,喬希·達拉斯,彼得·曼斯布里奇,伊薇特·尼科爾·布朗,艾德·希蘭,

劇中計

詹姆斯·巴林頓,埃里克·格恩斯,Tom Hutch

迪茲先生進城

加里·庫珀,琪恩·亞瑟,喬治·班克羅夫特,萊昂內爾·斯坦德,道格拉斯·敦布里勒

婚姻故事

斯嘉麗·約翰遜,亞當·德賴弗,勞拉·鄧恩,艾奇·羅伯遜,梅里特·韋弗,阿倫·阿爾達,朱莉·哈格蒂,雷·利奧塔,馬克·奧布萊恩,華萊士·肖恩,凱爾·博恩海默,米奇·薩姆納,馬修·馬希爾,羅伯特·斯密戈爾,艾登·梅耶里,布魯克·布盧姆,瑪莎·凱莉,阿爾伯特·瓊斯,漢娜·鄧恩,桑德拉·羅斯科,麥金利·貝爾徹三世,戈登·格里克,馬修·希爾,阿米爾·塔萊,薩拉·瓊斯,文尼·希伯,胡安·阿方索,洛蕾塔·謝諾斯基,滕德·艾德比佩,賈思敏·西法斯·瓊斯

幕后花絮

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

今夜，就算這份愛戀從世界上消失2025

高中女生每天醒來時，都不記得昨天發生的事。她決定與一位拘謹的同學交往，面對每一天的嶄新開始，兩人的愛能順利茁壯嗎？