影片推薦
狄仁杰之通天浮屠
羅立群,許翔,張婉琳,侍宣如死亡回放
海莉·畢曉普,阿默·查達(dá)·帕特爾,Maya Graham,Malik Ibheis,扎基·喬吉,Teddy Linard,杰瑪·摩爾,斯克魯比斯·皮普附身
阿比蓋爾·布雷斯林,大衛(wèi)·休萊特,史蒂芬·麥克哈蒂,彼得·奧特布里奇,米歇爾·諾爾頓,薩曼莎·溫斯坦捏造貝多芬
山田裕貴,古田新太,染谷將太,神尾楓珠,前田旺志郎,小澤征悅,生瀨勝久,小手伸也,野間口徹,遠(yuǎn)藤憲一,藤澤涼架,新原泰佑,前原瑞樹(shù),堀井新太,坪倉(cāng)由幸,西田尚美,市川紗椰,安井順平,泉澤祐希,前野朋哉特雷弗·諾亞:苦中作樂(lè)
特雷弗·諾亞隱藏殺手2
Raphael Sbarge,Kate Hodge同類(lèi)精選
悄然之星
神樂(lè)坂惠,遠(yuǎn)藤賢司,池田優(yōu)斗,森康子靈殤
奧古斯特·維特根斯坦,阿爾瑪·特爾齊奇,Aleksandar Seksan,Ella Jazz,Sanin Milavic,Diana Fernández Pérez約束的罪行
塞西莉亞·羅特,米格爾·安吉爾·索拉,本杰明·阿瑪?shù)蠆W,索菲亞·哥拉,亞尼娜·阿維拉,迭戈·克雷莫內(nèi)西,保羅·巴林托斯,馬塞洛·索比奧托,瑪麗婭·瑪努爾,馬塞洛·丹德烈亞,克拉拉·科瓦西奇怨泊
何超儀,高橋和也,白川和子,周俊偉黑暗殺機(jī)
亞歷山大·斯卡斯加德,麗莉·吉?dú)W,詹姆斯·戴爾,杰弗里·懷特,梅肯·布萊爾,喬納森·懷特賽爾,詹姆斯·布魯爾,埃里克·李塞德,朱利安·布萊克·安蒂洛普,安娜貝爾·庫(kù)帖,巴布·米切爾八棺索財(cái)
喻恩泰,曹鶴陽(yáng),蘇濛濛影視排行
獵殺大行動(dòng)
亞歷克·鮑德溫,Kelly Lynch,Mary Stuart MastersonA hardened New Orleans cop, Dave Robicheaux, finally tosses in the badge and settles into life on the bayou with his wife. But a bizarre plane crash draws him back into the fray when his family is viciously threatened.
我家的律師又惹麻煩了
室毅,木南晴夏,吉瀨美智子,菅野莉央,日向亙,入山法子,東根作壽英,本多力,早瀨憩,安達(dá)祐實(shí),村川繪梨,松尾諭,時(shí)任三郎,酒向芳,戶(hù)田惠子,渡部篤郎,濱津隆之由于杏(平手友梨奈 飾)轉(zhuǎn)往美國(guó)的法律事務(wù)所,藏前(室毅 飾)失去了負(fù)責(zé)照看的律師,因此被所長(zhǎng)暗示即將終止契約。剛好此時(shí),他得知人氣“藝能型律師”樋口新(木南晴夏 飾)正準(zhǔn)備從事務(wù)所獨(dú)立開(kāi)業(yè)。藏前隨即親自上門(mén)請(qǐng)求:“請(qǐng)務(wù)必讓我在您手下工作。”在被爽快答應(yīng)的當(dāng)場(chǎng),他慌忙簽了文件,卻不知道這正是“地獄的開(kāi)端”。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
馬路天使
珍妮·蓋諾,查爾斯·法萊爾,娜塔莉·金斯頓,亨利·阿爾梅塔,圭多·特倫托,阿爾貝托·拉巴利亞蒂,路易斯·利格特,彌爾頓·迪克森安吉拉(珍妮·蓋諾 Janet Gaynor 飾)的母親身患重病,急需藥物進(jìn)行治療。生活在窮困潦倒之中的安吉拉無(wú)奈之下只能行竊救命,她的舉動(dòng)自然遭到了警方的通緝和追捕,安吉拉就此踏上了逃亡的旅途。 途中,安吉拉來(lái)到了一個(gè)馬戲團(tuán)之中,隱姓埋名成為了其中的一名演員,這正好幫助她拜托了警方的糾纏。在馬戲團(tuán)中,安吉拉邂逅了名為基諾(查爾斯·法萊爾 Charles Farrell 飾)的年輕畫(huà)家。基諾雖然有著一身的才華卻依舊只是一個(gè)名不見(jiàn)經(jīng)傳的無(wú)名畫(huà)家,安吉拉的出現(xiàn)激發(fā)了他的靈感,幫助他取得了事業(yè)上的成就,墜入愛(ài)河的兩人決定結(jié)婚,但在婚禮舉行之際,警方還是發(fā)現(xiàn)了安吉拉的蹤跡。