劇情簡介
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妃子笑
蕭正楠,黃婉伶,黃婉君,陳逸寧,戴夢夢,朱咪咪,李兆基,江欣燕,梅小惠,謝雪心,楊羚,李思捷,王嘉明弘治七年,皇上在全國范圍內大選妃子。來在同村的兩位少女鴛鴦(黃婉君 飾)和朱朱(黃婉伶 飾)相助于危險的夜路,遂互稱姐妹,共赴皇宮。 對于少女們來說,如果成功當選皇妃,無論富貴貧賤都可飛上枝頭當鳳凰,自然競爭激烈,條件也很苛刻。不光自身條件要好,還要經過嚴格的培訓與層層考試。但更加殘酷其實是她們各自之間的勾心斗角、爾虞我詐。 面對種種的困難與危險,鴛鴦與珠珠能否闖過難關?而面對這殘酷的競爭,她們的友情是否會改變呢?
浴火巾幗3
拉妮·瑪克赫吉,詹琪·博迪瓦拉,Mallika Prasad,Jimpa Sangpo Bhutia,Prajesh Kashyap,Eindraneel Bhattacharya這是一場與時間的賽跑,決不會手軟。Shivani Shivaji Roy回來營救失蹤的女孩。
脆弱的男人
亞辛·侯伊卡,歐萊雅·阿瑪拉,拉斐爾·奎納德,Bilel Chegrani,迪翁-克巴·塔庫,蒂法因·戴維斯,霍莉·法特瑪,吉列爾莫·吉茲,薩米拉·塞迪拉,Olivier Soula,Marion Guerrero,Tigrane Avedikian,Juliette Cardinski,Thomas Bricmont,Roméo De Lacour,Marvin Pellegrino,艾瑪·貝內斯坦,Aurélien Marra,塔薩迪特·曼迪,Atmen KelifAz 在 Sète(法國南部)的一個牡蠣養殖場工作,他非常熟悉牡蠣,曾打開過成百上千個,一天,他決定藏一枚戒指在其中一只牡蠣中,向他的女友 Jess 求婚,但是對方沒有答應。不過幸運的是,他的一群朋友已經準備好幫他重新振作起來。 Az travaille chez un ostréiculteur à Sète. Les hu?tres il conna?t ?a par c?ur, il les ouvre par centaines. Dans l’une d’elle, Az décide de cacher une bague, pour demander sa petite amie Jess en mariage. Elle ne dit pas oui. Heureusement, sa bande d’amis est prête à tout pour l’aider à sortir la tête de l’eau.
靈語
是元介,吳可熙,鄭人碩,楊丞琳,禾浩辰,石知田,丁寧,李國超★《麻醉風暴》副導演首部長片,顛覆想像打造臺灣靈異驚悚電影新篇章! ★ 金馬影后提名吳可熙、金鐘視后及金獎影后提名楊丞琳、金馬最佳女配角丁寧三后同臺飆戲! ★《同學麥娜絲》《角頭–浪流連》金馬獎最佳男配角提名鄭人碩深情演出! ★《老師,你會不會回來?》暖男是元介化身火爆重案組刑警! ★ 文化部年度優良電影劇本佳作驚悚推理改編! ? 劇情簡介 ? 解不了的謎,破不了的案,就靠…靈語 刑警志凱(是元介飾)奉命調查一起無名兒童連環箱尸命案,同時,他在國小任教的姊姊美珍(吳可熙飾)在放學時發現女兒慘遭歹徒綁架,志凱與搭檔嘉強(禾浩辰飾)私下展開緊急救人行動。在查案過程中循線追蹤到美珍的前鄰居明城(鄭人碩飾)與慧嵐(楊丞琳飾),意外發現他們的女兒也已經失蹤一年,案情膠著找不到任何線索,幾乎成了破不了的懸案,兩起看似毫無關聯的案件背后似乎隱藏驚人的連結。時間一分一秒過去,外甥女命在旦夕、連續箱尸命案案情撲朔迷離,只有鬼魂知道真相,走投無路的志凱只能求助師姑曾白石(丁寧飾),她擁有特殊體質能夠接收「靈語」,而一樁樁懸案的關鍵線索,是否能借助「靈語」抽絲剝繭找到駭人真相…。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
愿者安息
里法特·桑賈爾,Emrah Altintoprak,Cansu TürediCemal, a lonely hearse driver, has to transport the body of a young woman who has been murdered to her parents' home. During the trip, however, the body comes to life and when he sees her, Cemal falls in love with the undead woman. This is when he begins to commit murders in order to feed her, even if it means having to deal with the police's attempts to capture a serial killer.
超越鼓丘
邁克爾·科瓦爾斯基,Morgan DeTogne,Daniel Titmuss,Emma Jessop樹葉已經開始變了,但喬納森·魯斯特教授對即將到來的學期仍然準備不足。本周末,他正在為考古系的野外工作課程尋找合適的地點。在同行學者和雇工的幫助下,該團隊在拂曉時分出發。這次旅行為喬納森提供了一個難得的機會,讓他親自動手,成功可能意味著出版,也可能意味著終身教職。當一名助教神秘失蹤時,探險隊很快就脫軌了。很快,這群人發現自己處于現實和來世的交匯處,陷入了令人難忘的瘋狂之中。