假面之新生
小澤マリア、範田紗々、寧々ほか、セクシー女優の悩殺シーンも見どころ。けっこう仮面の正體を暴くべく、サタンの足の爪は、最強のしおき教師、羅數墓守也(らすぼすや)を學園に送り込む。高橋真弓は、結花千がけっこう仮面ではないかと確信していたが、千の全裸姿を見て唖然とする。けっこう仮面のアソコのヘアーが違うのだった。「けっこう仮面は2人いる?」と疑念も持つ真弓に近づく羅數は、彼女を失神させ、しおきルームでのおでん拷問で真相を吐かせる。サタンの足の爪は、結花千、夏綿けい子、面光一の3人をけっこう仮面と疑い召集。果たして、けっこう仮面の正體は明かされるのか???。
影片推薦
愛的證明2025
艾拉·朗夫,莫妮亞·喬柯里,諾埃米·洛夫斯基,埃米·朱爾茲科,朱利安·加斯帕-奧利維里,珍妮·亨利,奧德·佩潘,菲利普·佩特,安娜·勒尼,艾米莉·布里沙文,哈姆·格雷亞,湯姆·哈拉里,伊娃·霍爾特,保利娜·貝爾,費利克斯·基賽勒,哈姆扎·梅茲亞尼,愛德華·蘇皮斯,梅洛迪·波寧,羅安妮·塞古倫,瑪麗安妮·杜布特母親2020
長澤雅美,奧平大兼,阿部隆史,郡司翔,夏帆,皆川猿時,仲野太賀,木野花,土村芳,荒卷全紀,大西信滿,淺田芭路二〇二五年的歐陸
埃斯特·通帕,安娜瑪麗亞·比魯斯卡,馬里烏斯·達米安,伊林卡·馬諾拉切,瓦娜·馬爾達雷,謝爾班·帕夫盧,阿德里安·希塔魯,加布里埃爾·斯帕休,阿多尼斯·坦察這么遠那么近
樸浩山,宋再臨,高恩敏戰刀屠狼2
王天野,景崗山,三浦研一,任悅鳴心中的惡魔
Fernanda Andrade,Simon Quarterman,Evan Helmuth,Ionut Grama,Suzan Crowley同類精選
三塊廣告牌
弗蘭西斯·麥克多蒙德,伍迪·哈里森,山姆·洛克威爾,艾比·考尼什,盧卡斯·赫奇斯,彼特·丁拉基,約翰·浩克斯,卡萊伯·蘭德里·瓊斯,凱瑟琳·紐頓,凱瑞·康頓,澤利科·伊萬內克,薩瑪拉·維文,克拉克·彼得斯,尼克·瑟西,阿曼達·沃倫,瑪拉雅·瑞沃拉·德魯,布蘭登·薩克斯頓,邁克爾·艾倫·米利甘運鈔大劫案
吳樾,包貝爾,伍允龍,元彪,安志杰少林俗家弟子
范冬雨,何晴,丁嵐,王赤,趙小銳孽欲之殤
Karanvir Sharma,Mannara Chopra,Shraddha Das木匠之子
尼古拉斯·凱奇,諾亞·尤佩,小枝女孩,伊斯拉·約翰斯頓,索海拉·雅各布,Penelope Markopoulou,Orestis Paliadelis,埃莉娜·托帕麗朵,馬諾利斯·馬諾里斯,Thekla Gaiti,Kaiti Manolidaki,Dimitris Louskos,Stavros Kottas,Zisis Papaioannou,Michalis Ioannou,Viktor Hristov,Odisseas Zikas,Gary Salomon,Lee Papadakis,Harila異形侵襲
Ian McCulloch,Louise Marleau,Marino Masé影視排行
星辰之怒
杰克·麥克維,安德里亞·提瓦塔,Elijah Rowen,奧塔爾·薩拉利茲,Weronika Lesiak,Jord Knotter,Malgorzata Klara,Mayu Gralinska-Sakai,Sylwia Sokolowska,Monika Gieron一個來自國際特種部隊的女人的故事,她對人類即將結束有預感。《亂世佳人》是一部由多部獲獎短片《不再有明星》發展而來的故事片。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
無處釋放我
杰瑞米·艾倫·懷特,杰瑞米·斯特朗,保羅·沃爾特·豪澤,斯蒂芬·格拉漢姆,奧黛莎·楊,馬克·馬龍,蓋比·霍夫曼,大衛·克朗姆霍茨,格蕾絲·古默,哈里森·吉爾伯特森,約翰尼·坎尼扎羅,琳恩·A·弗里德曼,斯蒂芬·辛格,伊萬·阿馬羅·布隆,莎拉·斯洛博達,克里斯托弗·杰伊姆斯,格雷格·普朗科,克雷格·杰拉蒂,阿拉貝拉·奧利維婭·克拉克,洛蕾娜·奧斯塔影片聚焦布魯斯·斯普林斯汀打造1982年的著名專輯《Nebraska》時期,作為年輕音樂人的他努力應對成功的壓力,和令人困擾的過往。
太空孤航
亞當·桑德勒,凱瑞·穆里根,保羅·達諾,昆瑙·內亞,伊莎貝拉·羅西里尼,莉娜·奧琳,彼得·帕帕內克,瑪麗安·羅登,蘇珊娜·斯狄沃諾娃, 西妮德·菲爾普斯,珊妮·桑德勒,約翰·夫蘭達斯,巴什·多蘭,彼特·布拉哈,米庫拉斯·奇澤克,杰西卡·貝欽諾娃,索娜·博蒙特,金伯利·韓,勇·李,埃爾克·盧頓宇航員雅各布(亞當·桑德勒 Adam Sandler 飾)獨自前往太陽系邊緣執行科研任務,六個月后,他回到地球發現婚姻已經觸礁。而唯一能幫助他挽回妻子蘭卡(凱瑞·穆里根 Carey Mulligan 飾)的,竟然是潛伏在飛船內來自時間之初的神秘生物哈努什(保羅·達諾 Paul Dano 配音)。