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于爾根·福格爾,莫里茲·布雷多,佩特拉·施密特-夏勒,格奧爾格·弗里德里希,賴納·博克真心話大冒險2017
卡茜·瑟波,布萊特妮·薩皮,梅森·戴伊,艾麗克西斯·勒梅爾,里卡多·霍約斯,盧克·拜恩斯,哈維·吉蘭鬼馬朱唇
蔡楓華,王青,古珍珍,李玄麗美國暴力
布魯斯·鄧恩,丹妮絲·理查茲,凱維·萊曼-默塞尤,哥倫布·紹特,羅布·格隆科夫斯基,邁克爾·帕爾,約翰尼·梅辛納,愛瑪·里格比,尼克·齊蘭德,帕特里克·基爾帕特里克,邁克爾·約翰·朗,米歇爾·圣托彼得羅,威洛·黑爾大明嬪妃之反攻
宋洋,何杜娟,朱一龍,陳一諾,關慧卿,王藝曈,王春妹天鵝中的狼
達里奧·格蘭迪內(nèi)蒂,David Atrakchi,瑪佳麗達·維拉·諾瓦同類推薦
暗網(wǎng):謀殺案
艾登·霍華德,勞倫·杰克遜,達西·麥克唐納,布倫丹·弗萊徹,克勞迪婭·阿卜西,吉米·亞歷山大,阿卜杜拉·阿莫爾,肖恩·阿姆辛,喬希·布萊克,弗朗西斯·弗拉納根,亞當·福克斯,艾米·古德默菲,馬修·格雷姆,斯科特·蓋萊特,賈米拉·霍爾,比利·威克曼,丹·扎卡里一名播客在尋找有關他妹妹死亡的線索時,進入了暗網(wǎng),在那里發(fā)現(xiàn)了“THE MURDERSHOW”,在這個網(wǎng)站上,最高的加密貨幣出價者可以選擇如何殺死受害者,如果你在看著他們,他們也在看著你。
一個明星的誕生1937
珍妮·蓋諾,弗雷德里克·馬奇,阿道夫·門吉歐,梅·羅布森,安迪·德懷恩,萊昂內(nèi)爾·斯坦德,歐文·摩爾,佩吉·伍德,埃德加·肯尼迪,J·C·紐金特,吉恩·威廉姆斯,簡·阿克,Eric Alden,歐文·培根,Jane Barnes,文斯·巴尼特,克拉拉·布蘭迪克,韋德·博特勒,西德尼·布雷西,Harry C. Bradley,Lynton Brent,海倫·查德維克,喬治·錢德勒,Virginia Dabney,Billy Dooley,赫伯特·埃文斯,雷克斯·埃文斯,帕特·弗萊厄蒂,弗朗西斯·福特,Tri艾斯特(珍妮·蓋諾 Janet Gaynor 飾)是懷揣著成名的夢想,剛剛步入好萊塢發(fā)展的年輕女演員,在大明星諾曼(弗雷德里克·馬奇 Fredric March 飾)舉辦的慈善演出中,艾斯特大放異彩,成為了萬眾矚目的焦點,而她和諾曼之間也相互吸引,漸漸產(chǎn)生了感情,就這樣,兩人走到了一起。諾曼用自己的人脈幫助艾斯特創(chuàng)造了一些演出機會,而艾斯特本身就是一個悟性非常高的女孩,擁有絕佳的表演天賦,沒過多久,她就成為了冉冉升起的新星,未來可期,前途無量。但相對的,艾斯特的成名反襯出了諾曼的過氣,他酗酒的毛病讓他的星途屢遭滑鐵盧。雖然妻子的優(yōu)秀令諾曼感到自豪,但沮喪和挫敗感亦在無時不刻的折磨著他。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
最后命令
埃米爾·雅寧斯,艾弗琳·布倫特,威廉·鮑威爾一個臨時演員被召去在一部關于俄國革命的電影中扮演一名將軍,然而,他并不是一位普通的臨時演員,他就是謝爾蓋·亞歷山大,尼古拉斯沙皇時期的一位前將軍。他在1917年共產(chǎn)主義革命后從俄國軍隊里逃到了好萊塢。現(xiàn)在,為了使電影的導演,一個也曾參加過俄國革命的人滿意,他被迫要去重新 經(jīng)歷那一段曾帶給他無窮苦痛的生活。這一次,這個倒霉的將軍有機會去“贏得”那曾經(jīng)一敗涂地的戰(zhàn)役。電影閃回到亞歷山大在俄戰(zhàn)中的艱難生活。他感到無論他怎樣努力,似乎都無法阻止歷史的車輪滾滾向前。但是有一個女孩理解他,因為他的強烈的愛國精神和正派的行為,這個女孩愛上了他……
紅杉林殺人魔
馬可·伍德,Lisa Cameron,Lisa Livingstone五個熱衷冒險的朋友來到都市傳說中的謀殺案發(fā)地點,準備享受充滿刺激與驚悚的露營週末,但是他們很快就發(fā)現(xiàn),徘徊於此的不是只有他們五人,一個神秘殺手悄悄接近,本該要縱慾狂歡的野外假期,瞬間變調(diào)成為致命夢魘......