震蕩
暴雨代替了眾人的無(wú)語(yǔ)，空氣裡的震驚與憤怒如鷹，盤旋在豪宅的大廳，等待著遲遲未歸的男主人保羅。擁有高薪工作、漂亮妻子和可愛(ài)小孩的他，犯了禁忌的愛(ài)，而被阻隔在完美的生活門外。他的家人和教會(huì)，決定以上帝之名治癒他、拯救他。教堂內(nèi)，轟隆的禱念不斷灌入保羅耳內(nèi)，喃念之語(yǔ)泛起震盪，碎裂了他的精神，以恐懼黏組成滿佈裂痕的信念。出軌到出柜，愛(ài)上在世俗眼光中不該愛(ài)的人。保羅與新歡搬進(jìn)新公寓，開始自由的新生活，但他的心卻未曾安心入住。他的愛(ài)情，被視為罪與疾病，受到各方抵制、譴責(zé)；他被所愛(ài)之人折磨，痛苦地徘徊在傷害和幸福之間。「我想了解一個(gè)受過(guò)教育的人，最終會(huì)如何陷入他自己心中的監(jiān)牢。宗教環(huán)境、政治壓迫和傳統(tǒng)家庭，又如何壓迫男人的同性情愛(ài)。」──加伊羅．布斯塔曼德
即刻觀影
劇情賞析
編輯推薦
莎拉的石油
扎克瑞·萊維,Naya Desir-Johnson,索尼夸·馬丁-格林,加瑞特·迪拉胡特,梅爾·羅德里格斯,布里吉特·瑞根,斯特里奧·薩萬(wàn)特,Marco Fuller,湯姆·歐默,瑪利亞·米切爾,Ryan O'Quinn,羅伯特·古德曼,喬納森·利普尼基一個(gè)出生在印第安區(qū)的黑人女孩意外繼承了一片充滿石油的土地，洶涌的黑金下，她將面對(duì)攫取、迫害、偏見(jiàn)、中傷，并用她的意外橫財(cái)去幫助他人。
瑞典魚雷
Josefin Neldén,米克爾·福爾斯加德,Arthur S?rbring,麗莎·卡勒希德,貢內(nèi)爾·弗雷德World War II is around the corner, but the only thing Sally Bauer can think of is the ocean. Her dream is to swim across the English Channel. Her father has tried to exorcise her obsession with swimming since she was a toddler, without success. An unwanted pregnancy forces her to abandon her dream – and herself. The child’s father does not want to be involved, so as a woman in the ‘30s in Sweden, Sally has no choice but to do what is expected of her: to be a mother. There is no place left for her dreams and Sally is pulled into bottomless darkness, until her sister Carla saves her. With renewed purpose, together the sisters begin to dismantle the conventions they are constantly facing. In late August 1939, Sally stands on the shore at Dover and takes her first step into the English Channel. She swims across the open and icy sea for 15 hours, waving to the Navy who are readying for war. A couple of days after Sally swims ashore at Calais, Poland is invaded.
飛蛾日記
莎拉·伯格,莎拉·加頓,莉莉·科爾,斯科特·斯比德曼美麗女孩蕾貝卡（莎拉·博格 Sarah Bolger 飾）是一家女子教會(huì)寄宿學(xué)校的學(xué)生，開朗熱情的她在學(xué)校結(jié)識(shí)了許多好朋友，其中金發(fā)女孩露西（莎拉·戈登 Sarah Gadon 飾）與之關(guān)系最為融洽。二人形影不離，無(wú)話不說(shuō)，親密無(wú)間。新學(xué)期伊始，高挑冷艷的恩妮莎（莉莉·科爾 Lily Cole 飾）轉(zhuǎn)入她們的學(xué)校。恩妮莎那妖媚的神秘氣息令蕾貝卡備感不適，可是露西似乎對(duì)其頗有好感，二人越走越近。與此同時(shí)，恩妮莎似乎也勾起蕾貝卡深埋心中的不堪回憶。這個(gè)恍如從哥特恐怖小說(shuō)中走出來(lái)的女子，究竟藏著怎樣的秘密…… 本片根據(jù)Rachel Klein 同名暢銷科幻恐怖小說(shuō)。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
隱市英雄
彭禺厶,王莎,連奕名,來(lái)喜,于莉紅,張家豪,馬詩(shī)紅,翟星月,崔顥嚴(yán)喜劇/動(dòng)作 出品公司：愛(ài)奇藝 制作公司：愛(ài)奇藝、天藝星杰影視 出品人：龔宇 總監(jiān)制：王曉輝 總制片人：楊海濤 行政監(jiān)制：王兆楠 監(jiān)制：張家豪 導(dǎo)演：崔俊杰 制片人：楊洋、李洋、於夢(mèng)迪、張瀟子、王茜 執(zhí)行制片人：谷雷
忠勇之家
葛麗亞·嘉遜,沃爾特·皮金,特雷莎·懷特,梅·惠蒂,雷吉納德·歐文,亨利·崔佛斯,理查德·內(nèi)伊,亨利·威爾克松,Christopher Severn,Brenda Forbes,Clare Sandars,Marie De Becker,赫爾穆特·丹丁,約翰·阿伯特,Connie Leon,里斯·威廉姆斯,Harry Allen,Frank Atkinson,Sybil Bacon,弗蘭克·貝克故事發(fā)生在一九三九年的夏天，克里姆（沃爾特·皮金 Walter Pidgeon 飾）和妻子米尼佛夫人（葛麗亞·嘉遜 Greer Garson 飾）住在英國(guó)郊外，兩人結(jié)婚多年，生了三個(gè)孩子，生活幸福美滿。克里姆的大兒子韋恩（理查德·內(nèi)伊 Richard Ney 飾）愛(ài)上了花會(huì)創(chuàng)辦人的孫女貝爾（特雷莎·懷特 Teresa Wright 飾），情投意合的兩人很快走到了一起。戰(zhàn)爭(zhēng)開始了，韋恩想要為國(guó)效忠，趕往了前線，而克里姆和米尼佛夫人則在后方支援。某日，一名德國(guó)飛行員受傷闖入了米尼佛夫人的后花園，米尼佛夫人憑借著自己的勇敢與智慧協(xié)助警察成功將其捉拿。米尼佛夫人和貝爾小姐在送韋恩前往駐地的途中遭遇了空襲，一時(shí)間兇多吉少。