狗不穿褲子

? 0.8 播放：88萬 2026-04-22

在一次帶著幼女和妻子郊外度假過程中，醫生的為了營救下湖游泳被水中漁網纏住溺死的妻子，幾乎窒息而死幸被救。若干年后，一次無意中接觸到BDSM，受虐中的窒息感覺，讓醫生恍惚中回到營救妻子的水下，這種感覺讓醫生愛上受虐。于是，一發不可收拾，在一次差點窒息而死的受虐中，施虐女不愿繼續，但醫生苦苦相求，更是跟隨其進入一個BDSM酒吧。

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劇情提要

在一次帶著幼女和妻子郊外度假過程中，醫生的為了營救下湖游泳被水中漁網纏住溺死的妻子，幾乎窒息而死幸被救。若干年后，一次無意中接觸到BDSM，受虐中的窒息感覺，讓醫生恍惚中回到營救妻子的水下，這種感覺讓醫生愛上受虐。于是，一發不可收拾，在一次差點窒息而死的受虐中，施虐女不愿繼續，但醫生苦苦相求，更是跟隨其進入一個BDSM酒吧。

幕后花絮

那個人在想什么事情

　　The main character is Dr. Max Holst, a successful neurosurgeon. One day an intense little man named Steinmetz shows up, who has the real ability to create objects out of thin air, using only his mind. As no one believes him at first, he is held at a ward for mental patients, but manifests the key to his door and escapes. As he has a special interest in Dr. Holst, Steinmetz subsequently invites Holst to his large mansion, which is full of expensive paintings and sculptures, and proves to him that he can in fact materialise objects. Steinmetz’s abilities are evolving by leaps and bounds, and is progressing from being able to create objects only to being able to create living things. His ultimate ambition is to be able to create a human being. He tells Dr. Holst that if he will only perform a certain brain operation on him, Steinmetz will become able to attain his goal. He’s got all the necessary equipment set up in his basement. Dr. Holst, however, is too spooked by the whole thing to agree to this mad scheme, and refuses. Steinmetz then sets about manipulating Holst’s life, to pressure him into performing the operation. By then Steinmetz has become able to create a temporary human being, and in the hope that he can perhaps make his own creation perform the operation, he manifests a doppelganger of Dr. Holst. This double proceeds to take over Dr. Holst’s life, creating chaos for him professionally and personally. And then Dr. Holst starts fighting back. The ending has the dual virtue of being both unexpected and satisfying.

水之年代

莉迪婭從小在父親的暴力陰影下長大，游泳是她唯一的逃避方式。她憑借獎學金進入大學，卻在成年后陷入毒癮、混亂的性關系和失去孩子的痛苦中。她的人生如同水流，時而湍急、時而沉寂，無法掌控方向。在最深的低谷中，莉迪婭開始寫作。文字成為她的呼吸，也成為她重新定義自己的方式。她不再只是受害者，而是講述者，是創造者。通過回望過去，她一點點拼湊出破碎的自我，也在寫作中找到了勇氣。 　　影片改編自莉迪亞·尤克納維奇所著回憶錄。