愛的陰暗面
別名: The Dark Side of Love / Hunger nach Z auml;rtlichkeit / Plaisirs interdits, Les 影片描述弟弟艾米里奧由于體質(zhì)不佳，從小一直在家中由母親照顧。當(dāng)母親離世后，他唯一的姐姐一位成功的女企業(yè)家帕特莉茜婭，賣掉自己的公司回到自己的故鄉(xiāng)來照顧弟弟。她鼓勵艾米里奧應(yīng)該走出家中、離開電視機，去外面尋找自己的世界：有新鮮的空氣、海洋、植物，結(jié)交朋友、戀人...... 教他學(xué)會理解和學(xué)會去愛，甚至用自己的性經(jīng)歷來當(dāng)故事講述。但是事情并不像預(yù)期的那么單純，最終卻上演了一場姐弟之間怪異、錯愕的亂論關(guān)系...
劇情簡介
別名: The Dark Side of Love / Hunger nach Z auml;rtlichkeit / Plaisirs interdits, Les 影片描述弟弟艾米里奧由于體質(zhì)不佳，從小一直在家中由母親照顧。當(dāng)母親離世后，他唯一的姐姐一位成功的女企業(yè)家帕特莉茜婭，賣掉自己的公司回到自己的故鄉(xiāng)來照顧弟弟。她鼓勵艾米里奧應(yīng)該走出家中、離開電視機，去外面尋找自己的世界：有新鮮的空氣、海洋、植物，結(jié)交朋友、戀人...... 教他學(xué)會理解和學(xué)會去愛，甚至用自己的性經(jīng)歷來當(dāng)故事講述。但是事情并不像預(yù)期的那么單純，最終卻上演了一場姐弟之間怪異、錯愕的亂論關(guān)系...
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張繼聰,羅家英,吳岱融,朱咪咪,吳肇軒,黎艷瓊Success in business, having a happy family, and being a rich one are what most people wish for. This is also the wish of the young man A-Hwa. Those who are hardworking, responsible and know how to be grateful will surely be rich and become wealthy.
索命暹羅之按摩師
林保怡,袁百梓卉,高捷,黃愷杰,鈕蔚淇,高翔,葉勇莫蘭（袁百梓卉 飾）擁有著一段悲慘的童年，很小的時候，她就失去了母親，然而莫蘭始終都不知道母親究竟為什么會死，這場悲劇成為了莫蘭內(nèi)心里最大的謎團和黑洞。時間一年一年的就這樣過去，一轉(zhuǎn)眼莫蘭便已經(jīng)長成了亭亭玉立的少女，只是，她從未放棄過想要調(diào)查當(dāng)年事件真相的額念頭。 尹正（林保怡 飾）是莫蘭的師叔，在泰國經(jīng)營著一家按摩院。莫蘭千里迢迢遠赴泰國尋找尹正，想要借助他的力量開始調(diào)查。哪知道來到泰國后，莫蘭的身邊開始接二連三的發(fā)生科學(xué)無法解釋的詭異事件，甚至還發(fā)生了命案，而這一切都和母親當(dāng)年的死因有著千絲萬縷的關(guān)聯(lián)。
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鄭媛元,王帥,高迦瀾妹妹石晗離奇“自殺”，疑點重重。姐姐石嵐毅然踏上追兇之路，她孤身對抗惡勢力，艱難收集證據(jù)，最終在絕境中完成復(fù)仇，將施暴者一一繩之以法。影片不僅是一場酣暢淋漓的罪案追兇，更深刻揭露了人性之暗與正義的重量。
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魯克·高斯,博基姆·伍德拜因,路易·曼迪勒,馬克·可汗,萊昂納德·凱利-揚,海瑟·洛普,布魯克·紐頓,羅伯特·菲茨杰拉德·迪格斯,雷弗·甘特沃特一個手握政府機密的AWOL海軍成員正被俄國特工和一個危險的殺手追緝
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耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
惡魔在上
丹尼爾·尤因,蒂姆·波考克,Sophie Don,杰西卡·格林,Ben Chisholm,Emily Joy,James Straiton,費利克斯·威廉森,約翰·雷諾茲Two estranged brothers come together and discover old family secrets after inheriting their grandfather's property. As their friends start to go missing, they fear they are being stalked by a creature lurking in the shadows.