同性之光
這是一部浪漫喜劇，故事發(fā)生在二十世紀(jì)九十年代的洛杉磯，錄音帶商店店員和詩(shī)人杰克遜在得知祂的堂弟杰德從俄亥俄州來(lái)到洛杉磯時(shí)，決定向祂發(fā)起誘惑。于此同時(shí)，杰克遜又是祂最好朋友兼老板薩姆以及商店的固定顧客德里克求噯的對(duì)象，而杰克遜寫(xiě)的詩(shī)又被聞名搖滾明星索尼斯派克所衷噯，并打算把祂的詩(shī)用在自己的新專(zhuān)輯鈡。 故事的切口小而精準(zhǔn)，關(guān)鍵在于導(dǎo)演集鈡刻畫(huà)了主人公，讓祂在;打算;與;結(jié)果 ;鈡選擇最為合理的;丅一步 每次主人公外出開(kāi)車(chē)之時(shí)，電影就會(huì)想起畫(huà)外音，念叨著那首主人公自以為很具孤單感的詩(shī)，充滿(mǎn)了對(duì)自己將來(lái)理想的渴求，然后又一次次地去參加xing噯派對(duì)，充滿(mǎn)了無(wú)奈的心靈內(nèi)外的反差。 當(dāng)然，更值得欣慰的是，導(dǎo)演給了人們一個(gè)答案，關(guān)于;同志;間是否有真噯的問(wèn)題。祂設(shè)計(jì)了這樣一個(gè)場(chǎng)景作為故事的結(jié)局：主人公在得到祂朋友死后錄影帶之后，一路飛奔到那個(gè)陌生人家門(mén)口，直截了當(dāng)?shù)貑?wèn)祂：;禰是不是真的噯硪？;然后很干脆利落地脫光身上所有的衣服，一絲不死地站在陌生人面前，轉(zhuǎn)了個(gè)圈，又問(wèn)祂：;禰看，硪就是這個(gè)樣子，沒(méi)什么值得吸引禰的地方，禰還真的噯硪嗎？ ;結(jié)果，兩個(gè)人擁抱在一起，濃情的搖滾樂(lè)就此響起。
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張雨綺,立威廉,姚文雪,袁祥仁,彭敬慈,馮勉恒,吳彥祖,李尚正,高寶云農(nóng)村姑娘彩鳳（張雨綺 飾）跟同伴來(lái)到一家號(hào)稱(chēng)哈佛畢業(yè)生開(kāi)的診所，希望可以通過(guò)整容手術(shù)變漂亮，但是整容醫(yī)生（吳彥祖 飾）的拙劣表現(xiàn)，令她們無(wú)功而返。后來(lái)，兩人擠上了開(kāi)往上海的貨車(chē)。來(lái)到大城市，人生地不熟，彩鳳卻對(duì)大屏幕里的街舞情有獨(dú)鐘，原來(lái)她也曾經(jīng)是鄉(xiāng)舞蹈隊(duì)的一員。然而，現(xiàn)實(shí)的壓力卻讓她只能把夢(mèng)想暗藏心底。一次偶然的機(jī)會(huì)，她進(jìn)入了朗（立威廉 飾）所開(kāi)的紅星公司，雖然工作是清潔工，但可以有機(jī)會(huì)接觸到街舞，讓她非常興奮，時(shí)常默默練習(xí)。朗是公司老板，富家子弟，每天周旋于紅男綠女之間，希望通過(guò)街舞大賽幫公司創(chuàng)品牌。他遇到彩鳳后，被她對(duì)街舞的執(zhí)著打動(dòng)，便提供了一個(gè)機(jī)會(huì)，希望幫她實(shí)現(xiàn)夢(mèng)想。然而，因?yàn)橐淮握`會(huì)，令彩鳳傷心地回到了家鄉(xiāng)。她還能有機(jī)會(huì)站在五光十色的舞臺(tái)上實(shí)現(xiàn)夢(mèng)想嗎？
阿坎達(dá)2
巴拉克利須那,哈莎莉·馬洛特拉,Samyuktha Menon一段溫馨的旅程探索了兒童的純真、自然世界和精神信仰之間的聯(lián)系，因?yàn)樯鐓^(qū)正在努力取得進(jìn)步。 ?? ?????? ?????????? ?????? ????? ???????? ??????? ????? ??????? ?? ??????????????? ?? ???????????????? ?????????? ??????? ???? ???? ?????????? ??????????? ????? ??????? ?????? ????????. ????? ????????? ?????? ????? ???? ??? ????? ???? ?????? ??????? ?? ????? ??????? ????? ?????? ?????????? ?????????... ??????? ???? ??? ????? ????????? ???????? ?????????? ?? ?? ????? ?????? ?????? ??? ???????
阿坎達(dá)2
巴拉克利須那,哈莎莉·馬洛特拉,Samyuktha Menon一段溫馨的旅程探索了兒童的純真、自然世界和精神信仰之間的聯(lián)系，因?yàn)樯鐓^(qū)正在努力取得進(jìn)步。 ?? ?????? ?????????? ?????? ????? ???????? ??????? ????? ??????? ?? ??????????????? ?? ???????????????? ?????????? ??????? ???? ???? ?????????? ??????????? ????? ??????? ?????? ????????. ????? ????????? ?????? ????? ???? ??? ????? ???? ?????? ??????? ?? ????? ??????? ????? ?????? ?????????? ?????????... ??????? ???? ??? ????? ????????? ???????? ?????????? ?? ?? ????? ?????? ?????? ??? ???????
半夜叫你別回頭2
梅瓊,趙翊驍,姜夢(mèng)茹,沈璐,李世杰,陸煙,張瑩瑩,寒豐,嚴(yán)佳茵,武朋新婚的蕭靈兒（陸煙 飾）前往兒時(shí)的山間別墅度假。途中，詭異事件接踵而至，雙生女童、深夜歸來(lái)的守門(mén)人，讓蕭靈兒驚恐不已。次日，蕭靈兒的閨蜜和前男友不請(qǐng)自來(lái)，守門(mén)人的兒子帶著女友來(lái)見(jiàn)家長(zhǎng)。更恐怖的是，一個(gè)神秘的紅衣女孩如鬼魂般在深山老宅中閃現(xiàn)，勾起了當(dāng)?shù)亓鱾饕丫玫墓硗蕃旣悅髡f(shuō)。在這深山隔絕之地，鬼娃使眾人陷入死亡之境。靈異現(xiàn)象頻繁出現(xiàn)，血腥事件不斷發(fā)生，等待眾人的是一個(gè)埋藏多年的鬼娃復(fù)仇傳說(shuō)。
鬼姐姐
Amphaiphun Phommapunya,Vilouna Phetmany,Tambet Tuisk,Manivanh Boulom,Yannawoutthi Chanthalungsy,Maluly Chanthalangsy,Brandon Hashimoto,Naliphone Siviengxay,Douangmany Soliphanh,Maneevone Chanthalungsy,Danouphonh Chanthakoummane,Oudomphone Pholsena,Namsoke故事講述一個(gè)窮女孩去照顧她失明的富表姐，這個(gè)表姐盡管看不見(jiàn)，卻可以與鬼魂交流。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster