劇情縱覽
是整個(gè)70年代維爾特米勒創(chuàng)作高峰期里最為著名的一部影片，該片確立了她在那個(gè)時(shí)期以尖刻**的社會政治寓言為主要?jiǎng)?chuàng)作題材的創(chuàng)作風(fēng)格。 劇情描述一名富婆跟一群朋友乘游艇在地中海游玩，她在船上對左傾的水手態(tài)度惡劣。不料在后來發(fā)生的一次船難中，富婆與水手流落到荒島上，她不得不反過來處處依賴水手，水手也趁火打劫，對她指手劃腳，兩個(gè)人最后竟產(chǎn)生了異常微妙的感情。
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臻選佳作
內(nèi)幕2025
郭富城,任達(dá)華,吳鎮(zhèn)宇,方中信,陳國邦,湯怡,周勵(lì)淇,李靖筠,姜大衛(wèi),駱應(yīng)鈞,鮑起靜,黎峻,耿長軍,張文杰,蘇家樂,張達(dá)倫,陳湛文,馬俊怡,鄒文正
香港著名慈善基金會晚宴現(xiàn)場，財(cái)務(wù)總監(jiān)楊滔（任達(dá)華 飾）離奇吊死在會場，疑云籠罩之下，兩億善款也不翼而飛！“良知律師”馬迎風(fēng)（郭富城 飾）與“玩咖警長”柯定邦（吳鎮(zhèn)宇 飾）意外被卷入其中，隨著二人調(diào)查不斷深入，慈善表象之下的駭人罪惡也接連現(xiàn)形——操縱司法、買兇殺人、走私販毒、勾結(jié)境外勢力……善意變生意，民眾的捐款竟淪為黑惡組織的血包！楊滔之死的真相到底是什么？他們能否將所有內(nèi)幕公之于眾，還社會以公道？
最佳拍檔2：大顯神通
許冠杰,麥嘉,張艾嘉,倉田保昭,徐克,葉夏利,曹達(dá)華,黃百鳴,汪庭歡,祖迪文,域陀布烈,李家鼎,施明,韓國材,關(guān)淑怡
金剛（許冠杰 飾）成功降服白手襪之后，白手襪之兄黑手襪受黑手黨指派繼續(xù)交易鉆石并向金剛復(fù)仇，金剛與黑手襪的高級機(jī)器人大戰(zhàn)數(shù)合終于僥幸勝利，卻馬上又落入了牛牛、悠悠兄妹犯罪團(tuán)伙的騙局，卷入銀行搶劫案成為嫌犯，金剛逃亡路上將拍檔光頭神探（麥嘉 飾）與何東詩（張艾嘉 飾）的婚禮攪得一塌糊涂。所幸光頭神探義字當(dāng)先合力與金剛對抗牛牛、黑手襪，卻不料金剛再次被悠悠戲弄，光頭神探也只落得被嚴(yán)妻整治。最佳拍檔被牛牛團(tuán)伙脅迫，不得不出面搶奪鉆石，而黑手襪方面再次出動高級機(jī)器人應(yīng)戰(zhàn)，早有準(zhǔn)備的金剛?cè)〕鰴C(jī)器人特工隊(duì)，混戰(zhàn)一觸即發(fā)…… 本片是最佳拍檔系列的第二集。
美滿結(jié)局
帕查拉·奇拉錫瓦特,芬蒂拉·皮皮亞克隆,塔納·羅坤宋巴,苼楠塔茬·塔納潘披散,納特·奇查理,艾絲特·蘇普莉拉,瓦奇拉維·讓維瓦,邦沙敦·宗威拉克,薩尼·烏托瑪,Darisa Karnpoj,Purewarin Kosiriwalanon,Achira Panpoom,Warapun Nguitragool
不信愛情的編劇家阿刁，不得不在他母親于醫(yī)院接受治療期間，迅速完成五段愛情故事。他在加護(hù)病房外面邂逅了小蓮，小蓮對他要寫的愛情故事產(chǎn)生好奇，就在你來我往的愛情激辯當(dāng)中，阿刁的靈感油然而生，讓他重新體會到被愛的感覺。文思泉涌的他，在跟小蓮充滿曖昧的互動下，成就出五段風(fēng)格迥異、讓人心跳加速的愛情故事…
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can Sevimli
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster