可疑的KTV

外星入侵者ZIM

　　一名想要征服地球的外星人ZIM 假扮成人類，而只有一個妄想狂的小孩Dib Membrane知道這個秘密。本劇于2001年3月30日在美國和菲律賓首播。　　Zim是來自外星來的小孩,應(yīng)該說是入侵者,但他在自己不知道的情況下,被母星放逐,不知不覺來到了地球...　　以小學(xué)生的身分在地球生活,雖然說是入侵者,但是幾乎都沒在進(jìn)行侵略的動作...(反而在我看過的集數(shù)中,拯救地球兩次= =")　　而且還要面對面前的敵人-Dib的侵?jǐn)_(在我看來像是騷擾),Dib是唯一知道Zim是個外星人的地球人,但是因?yàn)橐彩莻€小孩子,所以沒人相信他.　　Zim與Dib是同校又同班的敵人(或者說是一對活寶),不時會進(jìn)行互相乾擾的...笑話　　Invader Zim的動畫進(jìn)行是有點(diǎn)類似PPG(飛天小女警),30分鐘演兩話,1話12分鐘左右,所以每一話幾乎都充滿笑點(diǎn)....

阿爾及爾之戰(zhàn)

 一九五四年十月一日，以法屬阿爾及利亞首都阿爾及爾的卡斯巴為中心，爆發(fā)了阿爾及利亞人反抗運(yùn)動，這是由于阿拉伯人憎恨法國人長期統(tǒng)治而引起的。人們四處搞破壞，法國政府發(fā)覺事態(tài)嚴(yán)重，便于一九五七年十月七日，派馬丘將軍率領(lǐng)四十萬大軍駐于斯拉姆地區(qū)。但是暴亂仍層出不窮，法國人的鎮(zhèn)壓行動開始升級。

幼獸

　　由克里斯（Titus De Voogdt 飾）和皮特（Stef Aerts 飾）帶隊(duì)并由數(shù)名十幾歲的男孩組成的童子軍即將前往靠近法國邊境的某座森林里露營，出發(fā)前他向孩子們講述了一個可怕的傳說，據(jù)說森林里有一種被稱為“凱”的半人半獸怪物肆虐橫行，當(dāng)?shù)厝寺勶L(fēng)喪膽。它的模樣如同人狼，凡是被它咬過的人都會受到感染變成人狼。孩子們?nèi)呵榧ぐ海瑳Q心痛揍人狼，隨后跟隨克里斯坐上卡車出發(fā)。陽光明媚的時節(jié)，孩子們在露營地快樂玩耍，不過并不受眾人待見的小男孩薩姆（Maurice Luijten 飾）似乎格外在意“凱”的存在，他在挖洞時聲稱一度看到“凱”的身影，隨后更在營地附近發(fā)現(xiàn)一處神秘的巢穴。　　夜幕降臨，可怕的身影悄悄向營地接近，薩姆的命運(yùn)發(fā)生徹底改變……

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

天出血

 沙漠里流傳著一句話：天出血，人死絕。故事發(fā)生在舊時代的西北，這樣一片沙漠地帶，它講述了一個愛情悲劇故事。年青的問九因鄉(xiāng)鄰間缺水爭執(zhí)而出逃在外，待回來時，曾與之心心相印的秀秀姑娘已被族叔迎娶，成了他的嬸嬸。水繼續(xù)威脅著人們的生存，問九的族叔為富不仁，竟以空手能否從滾開的油鍋里撈起銅錢來決定人們在綠洲的去留，他狠毒地騙問九替他撈起銅錢卻又暗地加害問九。問九奮起抗?fàn)帲乘懒俗迨澹还俑讲丁＠为z未能囚住問九渴求自由的心。他一次次尋求機(jī)會越獄。數(shù)十年后，當(dāng)問九逃出虎口，卻又被沙漠里的土匪抓住逼他帶路，對秀秀的愛情支撐著問九最后的生命，他再次出逃，掙扎著爬回自己的故鄉(xiāng)。但黃沙已無情地吞噬了這里的一切，唯有刻著綠洲村的石柱還未被淹沒。問九手撫石柱瞑目在這荒原上。荒原上，彩霞滿天。天出血，人死絕。

詛咒：納扎爾